WHAT WAS KNOWN, AND WHEN

Here's a very helpful TIMELINE, courtesy of the liberal advocacy group moveon.org and John Kerry's campaign manager, Mary Beth Cahill, tracing events of the Iraqi prisoner scandal:

Fall 2003 Bremer repeatedly raises issue of prison conditions with Rumsfeld and the President's inner circle according to LA Times: "Bremer repeatedly raised the issue of prison conditions as early as last fall -- both in one-on-one meetings with Rumsfeld and other administration leaders, and in group meetings with the president's inner circle on national security. Officials described Bremer as 'kicking and screaming' about the need to release thousands of uncharged prisoners and improve conditions for those who remained." (Washington Post, Graham, 5/7/04)

November 5, 2003 Maj. Gen. Donald J. Ryder files report concluding that there were potential human rights, training, and manpower issues -- system wide -- that needed immediate attention. Discussed serious concerns about tension between missions of the military police assigned to guard prisoners and intelligence teams who interrogate them. (New Yorker Magazine, Hersh, 5/5/04

January 2004 Rumsfeld learns of photographs showing prisoner abuse according to the Washington Post: "...Rumsfeld has known of the photographs since January, when they came to the attention of U.S. commanders in Iraq, he had not seen them, and he was not aware that CBS was about to air them until just hours before they were broadcast last week." (Washington Post, Graham, 5/7/04)

Mid-January, 2004 Bush told about the photo of abuse according to the Washington Post: "Marine Gen. Peter Pace...said Wednesday on CBS's "Early Show" that beginning in mid-January, everyone "up the chain of command . . . was kept apprised orally of the ongoing investigation." Asked if Bush "was well aware of the situation," Pace replied: "Yes."" (Washington Post, Allen, 5/7/04)

Late February 2004 Major General Antonio M. Taguba issues 53-page report concluding that between October and December 2003 there were numerous instances of "sadistic, blatant and wanton criminal abuses" at Abu Ghraib. Report was not meant for public release. (New York, Hersh, 5/5/04 and LA Times, McDonnell, 5/3/04)

March 2004 Six enlisted personnel charged with prisoner abuse at Abu Ghraib. One is court marshaled. (AP, Burns, 5/3/04)

Mid-April, 2004 Military learns CBS has pictures of prisoner abuse in Iraq. General Abizaid and General Myers ask CBS to post-pone broadcast of the photos. (NY Times, Schmitt, 5/4/04)

April 28, 2004

+ Graphic photos of abuse of Iraqi prisoners are shown on CBS 60 Minutes 2. (AP, Crary, 4/28/04)
+ Rumsfeld provides classified briefing to Congressional leaders on situation in Iraq, fails to mention that photos of Iraqi abuse victims will be aired that evening on television. (Senate Armed Services Committee Testimony, Levin, 5/7/04)
+ May 3, 2004 Spokesman McClellan says that Bush still hasn't seen or been briefed on the Taguba report. (WH Briefing, McClellan, 5/3/04).

May 4, 2004

+ Rumsfeld says he disagrees with critics who have said the Pentagon moved too slowly. Defense Department officials have moved correctly and efficiently, he said. "The system works," he said. "The system works." Admitted he had not read the whole Taguba report or seen the photos. (DoD Briefing, Rumsfeld, 5/4/04)
+ Military discloses Army has conducted 30 criminal investigations into misconduct by American captors in Iraq and Afghanistan, including 10 cases of suspicious death, 10 cases of abuse, and two deaths of Iraqis already determined to have been criminal homicides. (NY Times, Neilan, 5/5/04)
+ General George Casey, Army's Vice-Chief of Staff, refers to a "complete breakdown in discipline." (NY Times, Reuters wire, 5/5/04)

May 8, 2004 12:30 PM |

Categories:

Me Elsewhere

'WILD SIDE' STILL ROCKS 

Nelson Algren was one of the great American authors of the 20th century, it is no exaggeration to say, and among the most neglected. Consider his underrated classic, "A Walk on the Wild Side." The title -- popularized and co-opted as an idiomatic phrase by Hollywood and Madison Avenue (institutions Algren loathed) -- is familiar to most anyone who speaks English or knows Lou Reed's lyrics. But the novel itself? Hardly.

BUSTER KEATON REVISITED 
Buster Keaton: Tempest in a Flat Hat is not a biography. "This book is merely a fan's notes," Edward McPherson writes in the introduction, although his publisher ignores the disclaimer and calls it a biography on the cover. In fact, the book is a bit of both, a difficult combination to bring off unless you're David Thomson, who set the standard with Rosebud, his penetrating rumination on the life and career of Orson Welles, which was nothing if not a distillation of every obsessive thought he ever had about the myth and the man and all his movies.
LAUREN BACALL, STILL SALTY AT 80 
When Lauren Bacall writes that her singing voice ranges "somewhere between B minus sharp and outer space," she's being candid and funny. It's not every stage star with two Tony Awards for best actress in a musical whose vocal talent offers so little promise. (OK, Harvey Fierstein excepted.) Still less would one admit it.
THE STARS ACCORDING TO BOGDANOVICH 
Peter Bogdanovich's superb collection of movie-star profiles and interviews -- a sequel to Who the Devil Made It, his interviews of top film directors -- begins with an affectionate tale about Orson Welles that reminds us just how intimate the author's connection to Hollywood's greatest has been. But contrary to what we've come to expect from dime-a-dozen celebrities and celebrity interviews not worth two cents, the tale avoids bromidic egotism and journalistic platitudes.
SAMMY'S WHITE DREAMS 
Four decades ago Lenny Bruce sentenced Sammy Davis Jr. to "30 years in Biloxi," stripping him of "his Jewish star" and "his religious statue of Elizabeth Taylor." Now we have two new biographies of Davis that spring him from ridicule, if not from doubts about his legacy, and restore a measure of dignity to a black entertainer whose huge fame and success never overcame his devout wish -- indeed his lifelong effort -- to be white.
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