THE DUCK IN THE ROOM

The T-word -- "torture" -- was studiously avoided by all in more than three hours of the Senate Armed Services Committee hearing on Treatment of Prisoners in Iraq. Except, that is, for Sen. Edward Kennedy, who forthrightly spoke of "torture and abuse."

The closest Secretary of Defense Donald Rumsfeld came to using the T-word was when he said compensation might be made to Iraqi prisoners who suffered "grievous and brutal abuse and cruelty."

By any other name that's "torture." The old rule applies: If it walks like a duck, talks like a duck, looks like a duck, etc.

We also heard Rummy say, "I take full responsibility" for the "terrible activities" that took place at Abu Ghraib. We heard him say, "I feel terrible about what happened to those Iraqi detainees." We heard him offer his "deepest apology to Iraqis who were mistreated."

Here's how the others being questioned in the hearing skirted the T-word:

+ Gen. Richard Myers, chairman of the Joint Chiefs of Staff, called what happened "prisoner abuse," which was "appalling, unconscionable and unacceptable."
+ Lt. Gen. Lance Smith, deputy commander of the U.S. Central Command in Iraq, called it "mistreatment."
+ Lee Brownlee, Acting Secretary of the Army, called it "detainee abuse" that was "tragic and disappointing."
+ Gen. Peter Schoomaker, Army Chief of Staff, called it the "inexcusable behavior of a few."

To be fair, there was a questioner's reference to "atrocities" toward the end of the hearing. And the word "homicide" did come up in a factual description of the "abuses."

May 7, 2004 2:29 AM |

Categories:

Me Elsewhere

'WILD SIDE' STILL ROCKS 

Nelson Algren was one of the great American authors of the 20th century, it is no exaggeration to say, and among the most neglected. Consider his underrated classic, "A Walk on the Wild Side." The title -- popularized and co-opted as an idiomatic phrase by Hollywood and Madison Avenue (institutions Algren loathed) -- is familiar to most anyone who speaks English or knows Lou Reed's lyrics. But the novel itself? Hardly.

BUSTER KEATON REVISITED 
Buster Keaton: Tempest in a Flat Hat is not a biography. "This book is merely a fan's notes," Edward McPherson writes in the introduction, although his publisher ignores the disclaimer and calls it a biography on the cover. In fact, the book is a bit of both, a difficult combination to bring off unless you're David Thomson, who set the standard with Rosebud, his penetrating rumination on the life and career of Orson Welles, which was nothing if not a distillation of every obsessive thought he ever had about the myth and the man and all his movies.
LAUREN BACALL, STILL SALTY AT 80 
When Lauren Bacall writes that her singing voice ranges "somewhere between B minus sharp and outer space," she's being candid and funny. It's not every stage star with two Tony Awards for best actress in a musical whose vocal talent offers so little promise. (OK, Harvey Fierstein excepted.) Still less would one admit it.
THE STARS ACCORDING TO BOGDANOVICH 
Peter Bogdanovich's superb collection of movie-star profiles and interviews -- a sequel to Who the Devil Made It, his interviews of top film directors -- begins with an affectionate tale about Orson Welles that reminds us just how intimate the author's connection to Hollywood's greatest has been. But contrary to what we've come to expect from dime-a-dozen celebrities and celebrity interviews not worth two cents, the tale avoids bromidic egotism and journalistic platitudes.
SAMMY'S WHITE DREAMS 
Four decades ago Lenny Bruce sentenced Sammy Davis Jr. to "30 years in Biloxi," stripping him of "his Jewish star" and "his religious statue of Elizabeth Taylor." Now we have two new biographies of Davis that spring him from ridicule, if not from doubts about his legacy, and restore a measure of dignity to a black entertainer whose huge fame and success never overcame his devout wish -- indeed his lifelong effort -- to be white.
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