TELLING THE TRUTH

This morning's lead editorial in The New York Times, "The Abu Ghraib Spin," begins:

The administration and its Republican allies appear to have settled on a way to deflect attention from the torture of prisoners at Abu Ghraib: accuse Democrats and the news media of overreacting, then pile all of the remaining responsibility onto officers in the battlefield, far away from President Bush and his political team. That cynical approach was on display yesterday morning in the second Abu Ghraib hearing in the Senate, a body that finally seemed to be assuming its responsibility for overseeing the executive branch after a year of silently watching the bungled Iraq occupation.

This morning's lead editorial in The Washington Post, "Protecting the System," ends:

The sickening abuse of Iraqi prisoners will do incalculable damage to American foreign policy no matter how the administration responds. But if President Bush and his senior officials would acknowledge their complicity in playing fast and loose with international law and would pledge to change course, they might begin to find a way out of the mess. Instead, they hope to escape from this scandal without altering or even admitting the improper and illegal policies that lie at its core. It is a vain hope, and Congress should insist on a different response.

Both editorials tell the truth. But the Times editorial, which is stronger, tells more of the unvarnished truth not only because it is better written but because it uses, as the French say, le mot juste: "torture."

Postscript: From a faithful reader who has had justifiable doubts about the Times's coverage of the presidential campaign (he believes it skews against John Kerry) and, in my view, less justifiable doubts about its reporting on the Abu Ghraib scandal:

"The Times is still doing a good job on this abuse thing. I can't quite figure out what is going on. It doesn't fit, somehow. I think the catch is yet to come. Anyway, your comments on reality TV answered this, as quoted from the Times":

At an open meeting with Pentagon civilian and military personnel, Mr. Rumsfeld said Tuesday that abuse at Abu Ghraib was "a body blow" to America delivered by "a few who have betrayed our values." He said that acts of violent abuse and sexual humiliation captured in photos and video images at Abu Ghraib "ought not to be allowed to define us either in the eyes of the world or our own eyes, adding, "We know who we are."

"The lies will continue, though, and we will never know the truth," my friend continues, citing this:

A separate Army inquiry is under way into what role military intelligence officers played in the abuses. In afternoon testimony, senior Army intelligence officers told senators that none of their people were implicated despite conclusions to the contrary in General Taguba's report.

"Nothing will come of that inquiry," he adds. "The U.S. military has not really been under democratic control for at least half a century." He offers another citation referring to yesterday's Senate hearing on Abu Ghraib:

Mr. Cambone, [undersecretary of defense for intelligence], and other military officials said the interrogation techniques approved for use in Iraq were straight out of the Army manual and followed the Geneva Conventions. In that respect, he said, they differed from harsher techniques, like sleep deprivation and forcing prisoners to disrobe entirely for interrogations, that are authorized for use at the American prison at Guantánamo Bay, Cuba.

"And what does that bring to mind, making all those people stand there naked?" my friend asks, and answers: "Randomly shooting prisoners from guard towers was another Nazi technique that has been used in Iraq. ... It is all coming home. The U.S.A. will be like an Argentina. The reality has already been written and sung into existence. A house of cards will sooner or later always fall."

May 12, 2004 9:27 AM |

Categories:

Me Elsewhere

'WILD SIDE' STILL ROCKS 

Nelson Algren was one of the great American authors of the 20th century, it is no exaggeration to say, and among the most neglected. Consider his underrated classic, "A Walk on the Wild Side." The title -- popularized and co-opted as an idiomatic phrase by Hollywood and Madison Avenue (institutions Algren loathed) -- is familiar to most anyone who speaks English or knows Lou Reed's lyrics. But the novel itself? Hardly.

BUSTER KEATON REVISITED 
Buster Keaton: Tempest in a Flat Hat is not a biography. "This book is merely a fan's notes," Edward McPherson writes in the introduction, although his publisher ignores the disclaimer and calls it a biography on the cover. In fact, the book is a bit of both, a difficult combination to bring off unless you're David Thomson, who set the standard with Rosebud, his penetrating rumination on the life and career of Orson Welles, which was nothing if not a distillation of every obsessive thought he ever had about the myth and the man and all his movies.
LAUREN BACALL, STILL SALTY AT 80 
When Lauren Bacall writes that her singing voice ranges "somewhere between B minus sharp and outer space," she's being candid and funny. It's not every stage star with two Tony Awards for best actress in a musical whose vocal talent offers so little promise. (OK, Harvey Fierstein excepted.) Still less would one admit it.
THE STARS ACCORDING TO BOGDANOVICH 
Peter Bogdanovich's superb collection of movie-star profiles and interviews -- a sequel to Who the Devil Made It, his interviews of top film directors -- begins with an affectionate tale about Orson Welles that reminds us just how intimate the author's connection to Hollywood's greatest has been. But contrary to what we've come to expect from dime-a-dozen celebrities and celebrity interviews not worth two cents, the tale avoids bromidic egotism and journalistic platitudes.
SAMMY'S WHITE DREAMS 
Four decades ago Lenny Bruce sentenced Sammy Davis Jr. to "30 years in Biloxi," stripping him of "his Jewish star" and "his religious statue of Elizabeth Taylor." Now we have two new biographies of Davis that spring him from ridicule, if not from doubts about his legacy, and restore a measure of dignity to a black entertainer whose huge fame and success never overcame his devout wish -- indeed his lifelong effort -- to be white.
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