PEN SENDS A LETTER

The PEN American Center has called for the current occupant of the White House "to abandon Patriot Act politics" and lead "an open, bipartisan evaluation of individual provisions of the Act that are scheduled to end by 2005, including Section 215, which opens records of individual reading activities to government scrutiny."

Good luck.

Section 215, in case you don't remember, amended and greatly expanded the scope of the 1978 Foreign Intelligence Surveillance Act. The FBI now has the right to examine "any tangible things" -- to quote the law -- including bookstore and library records, PEN said in a press release issued Monday.

Under Title II, Section 215, of the USA Patriot Act, investigators can seek records even of individuals not suspected of terrorism. It also has a gag provision that prevents institutions from disclosing that their records have been examined.

"Like many sectors of the literary community," PEN "fears that such sweeping authority threatens the privacy necessary for law-abiding citizens and residents to explore controversial information and ideas."

The PEN American Center is an association of more than is 2,600 writers and editors. It is the largest of nearly 130 PEN Centers worldwide that compose International PEN, which has promoted literature and protected freedom of expression for more than 80 years.

The sunset provisions of the Patriot Act, says Larry Siems, the director of PEN's Freedom to Write and International Programs, "were built in to ensure that Congress would look carefully both at how the elements of the law are working to thwart terrorism and whether particular provisions are compromising essential liberties."

PEN has sent a letter to the White House "endorsing strong, targeted measures to confront terrorism and prevent terrorist attacks," but also "pressing for refinements and improvements to the Patriot Act and other post-9/11 security measures to protect privacy, ensure public access to government information, and comply with international law and human rights covenants."

The letter, co-signed by PEN American Center President Salman Rushdie, asks the current occupant of the White House to "protect and promote a critical and open review of the sunset provisions, one that acknowledges the shared commitment of all participants to the security and safety of U.S. citizens, residents, and interests and that allows for changes born of wisdom and experience."

The Maximum Leader is doubtless all ears. Here is Attorney General Ashcroft's view of the USA Patriot Act. Read it at your own risk.

May 4, 2004 10:00 AM |

Categories:

Me Elsewhere

'WILD SIDE' STILL ROCKS 

Nelson Algren was one of the great American authors of the 20th century, it is no exaggeration to say, and among the most neglected. Consider his underrated classic, "A Walk on the Wild Side." The title -- popularized and co-opted as an idiomatic phrase by Hollywood and Madison Avenue (institutions Algren loathed) -- is familiar to most anyone who speaks English or knows Lou Reed's lyrics. But the novel itself? Hardly.

BUSTER KEATON REVISITED 
Buster Keaton: Tempest in a Flat Hat is not a biography. "This book is merely a fan's notes," Edward McPherson writes in the introduction, although his publisher ignores the disclaimer and calls it a biography on the cover. In fact, the book is a bit of both, a difficult combination to bring off unless you're David Thomson, who set the standard with Rosebud, his penetrating rumination on the life and career of Orson Welles, which was nothing if not a distillation of every obsessive thought he ever had about the myth and the man and all his movies.
LAUREN BACALL, STILL SALTY AT 80 
When Lauren Bacall writes that her singing voice ranges "somewhere between B minus sharp and outer space," she's being candid and funny. It's not every stage star with two Tony Awards for best actress in a musical whose vocal talent offers so little promise. (OK, Harvey Fierstein excepted.) Still less would one admit it.
THE STARS ACCORDING TO BOGDANOVICH 
Peter Bogdanovich's superb collection of movie-star profiles and interviews -- a sequel to Who the Devil Made It, his interviews of top film directors -- begins with an affectionate tale about Orson Welles that reminds us just how intimate the author's connection to Hollywood's greatest has been. But contrary to what we've come to expect from dime-a-dozen celebrities and celebrity interviews not worth two cents, the tale avoids bromidic egotism and journalistic platitudes.
SAMMY'S WHITE DREAMS 
Four decades ago Lenny Bruce sentenced Sammy Davis Jr. to "30 years in Biloxi," stripping him of "his Jewish star" and "his religious statue of Elizabeth Taylor." Now we have two new biographies of Davis that spring him from ridicule, if not from doubts about his legacy, and restore a measure of dignity to a black entertainer whose huge fame and success never overcame his devout wish -- indeed his lifelong effort -- to be white.
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