MEA CULPA FROM THE TIMES

Jack Shafer was correct yesterday when he reported in Slate that The New York Times was preparing an "Editors' Note" reassessing "its pre-Iraq War coverage, particularly its coverage of weapons of mass destruction." Finding < EM>the note online took a bit of searching on the Times Web site. But it appears in plain view on the bottom of page 10 in the print edition:

We have examined the failings of American and allied intelligence, especially on the issue of Iraq's weapons and possible Iraqi connections to international terrorists. We have studied the allegations of official gullibility and hype. It is past time we turned the same light on ourselves.

The note cites five examples of "problematic articles" by date -- two in the immediate aftermath of 9/11, on Oct. 26, 2001 (about an alleged meeting in Prague between an Iraqi agent and Mohammed Atta, the ringleader of the 9/11 terrorists, which was discounted a year later) and on Nov. 8, 2001 (about an alleged Iraqi terrorist training camp that has never been verified).

Though the note doesn't say so, those articles gave momentum to the conflation of "the war on terror" with Saddam Hussein, which the Bush gang exploited to the max to justify its invasion of Iraq. To this day, according  to various polls, much of the American public still believes the idea that Iraq was guilty of involvement with the 9/11 attacks.

Incorrect reports in the Times also gave misinformation about the existence of Iraqi weapons of mass destruction, which should have been checked more carefully and challenged by editors before being published, the note says. Much of that misinformation was supplied by self-promoting Iraqi defectors lobbying for "regime change," especially Ahmad Chalabi, whose motives should have opened their allegations to doubt. That misinformation was "often eagerly confirmed by United States officials convinced of the need to intervene in Iraq," the note adds.

That sublime irony deepens rather than mitigates the errors, as does the fact that subsequent reports acknowledging or clarifying some of the misinformed coverage were played much less conspicuously than the original misinformation.

Shafer has been on the case for a long time, especially going after Judith Miller's misleading reports about weapons of mass destruction. She was not mentioned by name in the editors' note, however, nor were any other reporters or editors. The note says more reporting will be done that is "aimed at setting the record straight." It also offers readers a chance to delve more deeply into its erroneous coverage by going to the Times Web site here.

Of the 15 or so misleading reports that are listed online about alleged terrorist training camps and hidden weapons facilities, a quest for A-Bomb components and the controversy surrounding it, and the search for weapons of mass destruction, nine were written or co-written by Miller. Thus the headline on Shafer's piece: "Judy's Turn to Cry."

May 26, 2004 10:16 AM |

Categories:

Me Elsewhere

'WILD SIDE' STILL ROCKS 

Nelson Algren was one of the great American authors of the 20th century, it is no exaggeration to say, and among the most neglected. Consider his underrated classic, "A Walk on the Wild Side." The title -- popularized and co-opted as an idiomatic phrase by Hollywood and Madison Avenue (institutions Algren loathed) -- is familiar to most anyone who speaks English or knows Lou Reed's lyrics. But the novel itself? Hardly.

BUSTER KEATON REVISITED 
Buster Keaton: Tempest in a Flat Hat is not a biography. "This book is merely a fan's notes," Edward McPherson writes in the introduction, although his publisher ignores the disclaimer and calls it a biography on the cover. In fact, the book is a bit of both, a difficult combination to bring off unless you're David Thomson, who set the standard with Rosebud, his penetrating rumination on the life and career of Orson Welles, which was nothing if not a distillation of every obsessive thought he ever had about the myth and the man and all his movies.
LAUREN BACALL, STILL SALTY AT 80 
When Lauren Bacall writes that her singing voice ranges "somewhere between B minus sharp and outer space," she's being candid and funny. It's not every stage star with two Tony Awards for best actress in a musical whose vocal talent offers so little promise. (OK, Harvey Fierstein excepted.) Still less would one admit it.
THE STARS ACCORDING TO BOGDANOVICH 
Peter Bogdanovich's superb collection of movie-star profiles and interviews -- a sequel to Who the Devil Made It, his interviews of top film directors -- begins with an affectionate tale about Orson Welles that reminds us just how intimate the author's connection to Hollywood's greatest has been. But contrary to what we've come to expect from dime-a-dozen celebrities and celebrity interviews not worth two cents, the tale avoids bromidic egotism and journalistic platitudes.
SAMMY'S WHITE DREAMS 
Four decades ago Lenny Bruce sentenced Sammy Davis Jr. to "30 years in Biloxi," stripping him of "his Jewish star" and "his religious statue of Elizabeth Taylor." Now we have two new biographies of Davis that spring him from ridicule, if not from doubts about his legacy, and restore a measure of dignity to a black entertainer whose huge fame and success never overcame his devout wish -- indeed his lifelong effort -- to be white.
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