DONKEY TALE

The tale read 'round the world: Woman harnessed like a donkey (London Evening Standard), Elderly Woman 'Ridden Like A Donkey' by US Troops (The Scotsman), Troops put harness on 70-year-old woman (The Australian).

As reported by the Associated Press in London, it begins: "U.S. soldiers who detained an elderly Iraqi woman last year placed a harness on her, made her crawl on all fours and rode her like a donkey, Prime Minister Tony Blair's personal human rights envoy to Iraq said Wednesday."

And there was the Maximum Leader preaching to the Arab world. (Click on the video: 'President Bush in damage control on Arabic TV.') The best commentary on that? Try this: "Mr. Bush sometimes sounded as if he was chiding angry Arabs for not appreciating the United States' good intentions."

< EM>Or this:

[The] belief, that the photographs are distortions, despite their authenticity, is indistinguishable from propaganda. Tyrants censor; democracies self-censor. Tyrants concoct propaganda in ministries of information; democracies produce it through habits of thought so ingrained that a basic lie of war -- only the good is our doing -- becomes self-propagating.

This is not My Lai. This is not the the war in Vietnam. This is different. But the lessons are the same. Will they ever be learned?

Postscript: Given the nature of human nature, the answer to that question is "probably not." Here's one reason: An experiment simulating prison in 1971 at Stanford University showed how fine the line is < FONT color=#003399>"Between 'Normal' and 'Monster.' 

Coincidentally, an old college friend who's now a psychiatrist on the clinical faculty of the Stanford medical school, had recalled the experiment for me yesterday. Seeing the 'Fine Line' report this morning, he added: "The most horrific fact, which I underestimated, was that 2/3 of the subjects pushed the button for electrical shock, following orders, all the way up to the lethal level."

Correction: In quoting my friend, I conflated Philip Zimbardo's prison experiment at Stanford with Stanley Milgram's "quite separate experiment at Yale," another friend, Robert Cohen, at the University of California, Irvine, messages me. In Milgram's experiment pretend "investigators" had volunteers believe they were giving electric shocks to other volunteers. "Both experiments were done around the same time," Cohen writes, "and both show how humans mindlessly do what they think is expected of them, but they were quite different in both methods and results."

Another postscript: A reader writes, "The woman who is shown in several of the torture photos is from my home state of West Virginia. What can I tell you except: 'I'm sooooo proudddddd.' (Irony intended.) The name of the soon-to-be court-martialed trailer park denizen turned military policewoman is Lynndie England. She is from someplace called Fort Ashby, West Virginia. After the recent unpleasantness, they took her photo down from the Wall of Honor at the nearby Wal-Mart. To the best of my knowledge it was NOT the pic of her smoking a cigarette and pointing at the private parts of one of the prisoners.

"As upsetting to me as anything about all of this is the fact that the video game-conditioned nitwits in the photos shown shucking and jiving apparently think the faux sodomistic tableaux they've arranged has something to do with humor. Frat boy wit rules! One early news story on the net about the sordid affair was presciently titled: "The Photos That Lost the War." Let's hope that seven months from now that can be amended to also read: ". . . And That Lost the Election."

May 6, 2004 9:49 AM |

Categories:

Me Elsewhere

'WILD SIDE' STILL ROCKS 

Nelson Algren was one of the great American authors of the 20th century, it is no exaggeration to say, and among the most neglected. Consider his underrated classic, "A Walk on the Wild Side." The title -- popularized and co-opted as an idiomatic phrase by Hollywood and Madison Avenue (institutions Algren loathed) -- is familiar to most anyone who speaks English or knows Lou Reed's lyrics. But the novel itself? Hardly.

BUSTER KEATON REVISITED 
Buster Keaton: Tempest in a Flat Hat is not a biography. "This book is merely a fan's notes," Edward McPherson writes in the introduction, although his publisher ignores the disclaimer and calls it a biography on the cover. In fact, the book is a bit of both, a difficult combination to bring off unless you're David Thomson, who set the standard with Rosebud, his penetrating rumination on the life and career of Orson Welles, which was nothing if not a distillation of every obsessive thought he ever had about the myth and the man and all his movies.
LAUREN BACALL, STILL SALTY AT 80 
When Lauren Bacall writes that her singing voice ranges "somewhere between B minus sharp and outer space," she's being candid and funny. It's not every stage star with two Tony Awards for best actress in a musical whose vocal talent offers so little promise. (OK, Harvey Fierstein excepted.) Still less would one admit it.
THE STARS ACCORDING TO BOGDANOVICH 
Peter Bogdanovich's superb collection of movie-star profiles and interviews -- a sequel to Who the Devil Made It, his interviews of top film directors -- begins with an affectionate tale about Orson Welles that reminds us just how intimate the author's connection to Hollywood's greatest has been. But contrary to what we've come to expect from dime-a-dozen celebrities and celebrity interviews not worth two cents, the tale avoids bromidic egotism and journalistic platitudes.
SAMMY'S WHITE DREAMS 
Four decades ago Lenny Bruce sentenced Sammy Davis Jr. to "30 years in Biloxi," stripping him of "his Jewish star" and "his religious statue of Elizabeth Taylor." Now we have two new biographies of Davis that spring him from ridicule, if not from doubts about his legacy, and restore a measure of dignity to a black entertainer whose huge fame and success never overcame his devout wish -- indeed his lifelong effort -- to be white.
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This page contains a single entry by CriticalMASS published on May 6, 2004 9:49 AM.

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