THE WHITE HOUSE, CNN AND LETTERMAN

It was so funny it seemed too good to believe. I'm talking about a new routine called "George W. Bush Invigorates America's Youth," which made its debut with an hilarious video clip Monday night on "The Late Show With David Letterman." I laughed so hard it broke me up. I wish I could find the clip on the Web to show you. But I can't.

Lisa de Morae's report in yesterday's Washington Post pretty well describes what I saw. (Enlarge the photo.) Among the people standing behind our Maximum Leader during a recent speech he gave in Florida was a chubby "boy of about 12 in a red baseball cap, rugby shirt and chino shorts who is caught on camera yawning uncontrollably, twisting his head from side to side, checking his watch and otherwise looking pretty thoroughly bored, while the other people serving as background ignored him."

"The Late Show" website recounts the video clip in similarly precise detail, though it differed on the boy's age: "Directly behind the President stood a boy of 14 or so bored to tears. While the President spoke, the lad yawned, stretched, yawned some more, checked his watch, took a knee, yawned, and fell asleep standing up near the end. It was a very humorous actual clip we uncovered."

Well, CNN thought so too. The next day, Tuesday, it showed the video clip -- twice -- but then said -- twice -- that it had received a call from the White House claiming the clip was doctored. The clip was such a candid commentary on our Maximum Leader, and so funny, that when I saw it on Monday night I'd wondered myself whether it was doctored.

But, in point of fact, it was the real thing. What's more, CNN now denies it received that call from the White House. And "The Late Show" website notes emphatically, "The boy was at the rally and the boy was standing behind the President." It also asks a reasonable question: "Why would CNN say the White House HAD called if the White House never did?" The site also claims that a reliable Letterman source says "the White House DID call CNN."

Finally, it suggests that "while Condoleeza Rice is testifying in front of the 9/11 Commission, perhaps she can shed some light on this as well. Perhaps the White House truly believes the kid wasn't there due to faulty intelligence." It's good to see Letterman playing in the same league as "The Daily Show with Jon Stewart."

April 2, 2004 10:23 AM |

Categories:

Me Elsewhere

'WILD SIDE' STILL ROCKS 

Nelson Algren was one of the great American authors of the 20th century, it is no exaggeration to say, and among the most neglected. Consider his underrated classic, "A Walk on the Wild Side." The title -- popularized and co-opted as an idiomatic phrase by Hollywood and Madison Avenue (institutions Algren loathed) -- is familiar to most anyone who speaks English or knows Lou Reed's lyrics. But the novel itself? Hardly.

BUSTER KEATON REVISITED 
Buster Keaton: Tempest in a Flat Hat is not a biography. "This book is merely a fan's notes," Edward McPherson writes in the introduction, although his publisher ignores the disclaimer and calls it a biography on the cover. In fact, the book is a bit of both, a difficult combination to bring off unless you're David Thomson, who set the standard with Rosebud, his penetrating rumination on the life and career of Orson Welles, which was nothing if not a distillation of every obsessive thought he ever had about the myth and the man and all his movies.
LAUREN BACALL, STILL SALTY AT 80 
When Lauren Bacall writes that her singing voice ranges "somewhere between B minus sharp and outer space," she's being candid and funny. It's not every stage star with two Tony Awards for best actress in a musical whose vocal talent offers so little promise. (OK, Harvey Fierstein excepted.) Still less would one admit it.
THE STARS ACCORDING TO BOGDANOVICH 
Peter Bogdanovich's superb collection of movie-star profiles and interviews -- a sequel to Who the Devil Made It, his interviews of top film directors -- begins with an affectionate tale about Orson Welles that reminds us just how intimate the author's connection to Hollywood's greatest has been. But contrary to what we've come to expect from dime-a-dozen celebrities and celebrity interviews not worth two cents, the tale avoids bromidic egotism and journalistic platitudes.
SAMMY'S WHITE DREAMS 
Four decades ago Lenny Bruce sentenced Sammy Davis Jr. to "30 years in Biloxi," stripping him of "his Jewish star" and "his religious statue of Elizabeth Taylor." Now we have two new biographies of Davis that spring him from ridicule, if not from doubts about his legacy, and restore a measure of dignity to a black entertainer whose huge fame and success never overcame his devout wish -- indeed his lifelong effort -- to be white.
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