THE CONDI CONTEXT, PART 2

There are plenty of editorials to choose from this morning to describe Condoleezza Rice's testimony at yesterday's 9/11 hearing. (Here's the complete transcript.) We made our snap judgment about the Condi context yesterday while the hearing was still in progress: "She may well be remembered as Condoleezza ("Cover Your Ass") Rice."

Today's New York Times editorial called her "utterly unconvincing when she tried to portray Al Qaeda as anything approaching a top concern for the White House." The Washington Post editorial also says she was "unconvincing," notes that she "didn't add much to the administration's previous explanations," remarks that she was "both contradictory and implausible" and deplores the fact that Rice could not accept the idea that "mistakes were made and more could have been done. It's a shame that President Bush and his top national security aide haven't offered that honest accounting."

In his quick piece yesterday, political analyst Howard Fineman wrote in Newsweek: "Stylistically and tactically she was serviceable." He too pointed out Rice's unwillingness to take responsibility: "Asked at the hearing why she hadn't pressed the FBI more closely about what it knew, or didn't know, about domestic terrorist threats, Rice acted as though the question was an odd one: it wasn't her job."

As to our Maximum Leader's whereabouts on the day of the 9/11 attacks, Fineman writes:

Remember the picture of the president in the classroom, being told of the attack by chief of staff Andy Card? The American people thought they were seeing a man suddenly thrust into a grave challenge no one could have anticipated. That won him enormous sympathy and patience from the voters. But what if he was literally on vacation—at the ranch in Crawford—when he should have been making sure that someone was ringing alarm bells throughout the bureaucracy?

Which brings us to this morning's Times column by Bob Herbert, who comments on the fearless Leader's whereabouts yesterday: "The president called Ms. Rice from his pickup truck on the ranch to tell her she had done a great job before the panel. It doesn't get more surreal than that. Mr. President, there's a war on. You might consider hopping a plane to Washington."

How about we retire him to his ranch permanently, where he can ride around in his pickup truck to his heart's content?

Postscript: Wading in the Velvet Sea blogger Ryan McGee says he put on his "investigative hat (the one without the beer straws in it) and waded through the actual testimony transcripts." His exclusive analysis deconstructs Condi's pop-cult context.

April 9, 2004 10:24 AM |

Categories:

Me Elsewhere

'WILD SIDE' STILL ROCKS 

Nelson Algren was one of the great American authors of the 20th century, it is no exaggeration to say, and among the most neglected. Consider his underrated classic, "A Walk on the Wild Side." The title -- popularized and co-opted as an idiomatic phrase by Hollywood and Madison Avenue (institutions Algren loathed) -- is familiar to most anyone who speaks English or knows Lou Reed's lyrics. But the novel itself? Hardly.

BUSTER KEATON REVISITED 
Buster Keaton: Tempest in a Flat Hat is not a biography. "This book is merely a fan's notes," Edward McPherson writes in the introduction, although his publisher ignores the disclaimer and calls it a biography on the cover. In fact, the book is a bit of both, a difficult combination to bring off unless you're David Thomson, who set the standard with Rosebud, his penetrating rumination on the life and career of Orson Welles, which was nothing if not a distillation of every obsessive thought he ever had about the myth and the man and all his movies.
LAUREN BACALL, STILL SALTY AT 80 
When Lauren Bacall writes that her singing voice ranges "somewhere between B minus sharp and outer space," she's being candid and funny. It's not every stage star with two Tony Awards for best actress in a musical whose vocal talent offers so little promise. (OK, Harvey Fierstein excepted.) Still less would one admit it.
THE STARS ACCORDING TO BOGDANOVICH 
Peter Bogdanovich's superb collection of movie-star profiles and interviews -- a sequel to Who the Devil Made It, his interviews of top film directors -- begins with an affectionate tale about Orson Welles that reminds us just how intimate the author's connection to Hollywood's greatest has been. But contrary to what we've come to expect from dime-a-dozen celebrities and celebrity interviews not worth two cents, the tale avoids bromidic egotism and journalistic platitudes.
SAMMY'S WHITE DREAMS 
Four decades ago Lenny Bruce sentenced Sammy Davis Jr. to "30 years in Biloxi," stripping him of "his Jewish star" and "his religious statue of Elizabeth Taylor." Now we have two new biographies of Davis that spring him from ridicule, if not from doubts about his legacy, and restore a measure of dignity to a black entertainer whose huge fame and success never overcame his devout wish -- indeed his lifelong effort -- to be white.
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