STALIN, CLASSICAL PIANIST?

Book critic Michiko Kakutani has the fine habit of writing accurate reviews. I trust them. The other day, though, her review of "Stalin: The Court of the Red Tsar" struck a weird note. Was Stalin, as she seemed to allege, a classical pianist?

Quoting the book's author, Simon Sebag Montefiore, she wrote:

Stalin, Mr. Montefiore tells us, was a voracious reader of literature: his granddaughter remembered him reading Gogol, Chekhov, Hugo, Thackeray and Balzac. He calmed himself down by "repeatedly playing Mozart's Piano Concerto No. 23" and took pleasure in cultivating roses and mimosas. Like Hitler, he was also an ardent film buff — among his favorites were "It Happened One Night," "Mission to Moscow," John Ford westerns and anything by Charlie Chaplin.

Literateur? OK. Anybody, even a mass murderer, can fall in love with books. Gardener? Why not? You don't have to be nice Mrs. Minniver. Bulgaria cultivates the world's finest roses. Loves movies? Who doesn't? But did Stalin actually play the piano concerto? Or did he play a recording of it? Big difference.

Still . . . 

I'm grateful to Kakutani for her candid review of Alice Walker's latest novel, "Now Is the Time to Open Your Heart." The review began:

If this novel did not boast the name of Alice Walker, who won acclaim some two decades ago with "The Color Purple," it's hard to imagine how it could have been published. [It] is a remarkably awful compendium of inanities.

Kakutani went on to list them: "New Age inanities," "feminist inanities," "flower children inanities" and "plain old bad writing." I've rarely seen such a withering review by any of the Gray Lady's critics. 

Though I haven't read the novel, judging by the silly non-sequitors I heard Walker deliver last fall in a vapid, rambling address to adoring Barnard College undergrads, Kakutani's verdict must be on the money. Walker may have gotten one thing right, however: She named the novel's heroine Kate Talkingtree.

April 21, 2004 9:57 AM |

Categories:

Me Elsewhere

'WILD SIDE' STILL ROCKS 

Nelson Algren was one of the great American authors of the 20th century, it is no exaggeration to say, and among the most neglected. Consider his underrated classic, "A Walk on the Wild Side." The title -- popularized and co-opted as an idiomatic phrase by Hollywood and Madison Avenue (institutions Algren loathed) -- is familiar to most anyone who speaks English or knows Lou Reed's lyrics. But the novel itself? Hardly.

BUSTER KEATON REVISITED 
Buster Keaton: Tempest in a Flat Hat is not a biography. "This book is merely a fan's notes," Edward McPherson writes in the introduction, although his publisher ignores the disclaimer and calls it a biography on the cover. In fact, the book is a bit of both, a difficult combination to bring off unless you're David Thomson, who set the standard with Rosebud, his penetrating rumination on the life and career of Orson Welles, which was nothing if not a distillation of every obsessive thought he ever had about the myth and the man and all his movies.
LAUREN BACALL, STILL SALTY AT 80 
When Lauren Bacall writes that her singing voice ranges "somewhere between B minus sharp and outer space," she's being candid and funny. It's not every stage star with two Tony Awards for best actress in a musical whose vocal talent offers so little promise. (OK, Harvey Fierstein excepted.) Still less would one admit it.
THE STARS ACCORDING TO BOGDANOVICH 
Peter Bogdanovich's superb collection of movie-star profiles and interviews -- a sequel to Who the Devil Made It, his interviews of top film directors -- begins with an affectionate tale about Orson Welles that reminds us just how intimate the author's connection to Hollywood's greatest has been. But contrary to what we've come to expect from dime-a-dozen celebrities and celebrity interviews not worth two cents, the tale avoids bromidic egotism and journalistic platitudes.
HERMAN WOUK'S LATEST 
It's hard to say which comes off worse in Herman Wouk's latest novel, his first in a decade: the U.S. Congress or the American press. "A Hole in Texas" offers the choice between two emblematic stereotypes: a red-faced opportunist who heads the House Armed Services Committee and a mustachioed investigative reporter for the Washington Post.
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This page contains a single entry by published on April 21, 2004 9:57 AM.

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