ACROSS THE RUBICON

Did anybody see Chalmers Johnson Sunday night on C-Span2 Book TV? It was a rerun of an interview done in March at the Los Angeles Public Library by Warren Olney (of L.A. radio station KCRW), and it was mesmerizing. All Olney had to do was listen.

Johnson recently published "The Sorrows of Empire."  His thesis in the book, as it was on C-Span, is that 1) the United States is a modern empire,"thriving on fear and military domination" as ancient Rome once did, 2) the U.S. empire has already crossed the Rubicon on the way to oblivion, and 3) our Maximum Leader is speeding us on our way.

As C-Span summarized it, Johnson "argues that the ultimate purpose of U.S. military bases is not to maintain stability or promote democracy, but to defend U.S. hegemony. He traces U.S. world domination from the Cold War to today, then claims American militarism is irreversibly damaging its Constitution and the trust of its people." This continues an argument he began in "Blowback," another of his books.

Although Johnson taught history for decades at U.C. Berkeley, beginning in 1962, he opposed the '60s counterculture. What makes him doubly credible as a witness for the prosecution is that he was also a CIA consultant in those years. So he can't be accused of being a leftwing maniac. He's not only a brilliant historian, he's what's called "a biting writer."

Johnson certainly had bite on C-Span. It reminded me -- as have the hearings of the 9/11 commission -- that Gore Vidal's critics, especially Ron Rosenbaum, owe Vidal an apology for calling him a paranoid nut last year when he called our Maximum Leader and his cronies "the Bush junta."

Postscript: George Mattingly writes: "Jan, no, didn't catch Chalmers Johnson on CSPAN2 Sunday night. (Confession: I was out at the San Francisco Jazzfest catching Toots Thieleman, Kenny Werner, Airto, and Oscar Castro-Neves. Werner was so mesmerizing on piano that Toots proposed to him -- at how old? 185? -- saying "Kenny I am in love with you and this is the city for men to marry is it not?" A crackup -- and a great concert. ) I'm off to get a copy of SORROWS OF EMPIRE -- thanks for that tip: Just what I'm looking for (and absolutely right to give the nod to Gore Vidal, the most under-rated voice going). While I confess I'm an under-payer (as in zero), your column is one I WOULD pay for."

Thanks, George. I'm glad somebody besides my mother takes me seriously. To be truthful, even she had doubts.

April 13, 2004 8:55 AM |

Categories:

Me Elsewhere

'WILD SIDE' STILL ROCKS 

Nelson Algren was one of the great American authors of the 20th century, it is no exaggeration to say, and among the most neglected. Consider his underrated classic, "A Walk on the Wild Side." The title -- popularized and co-opted as an idiomatic phrase by Hollywood and Madison Avenue (institutions Algren loathed) -- is familiar to most anyone who speaks English or knows Lou Reed's lyrics. But the novel itself? Hardly.

BUSTER KEATON REVISITED 
Buster Keaton: Tempest in a Flat Hat is not a biography. "This book is merely a fan's notes," Edward McPherson writes in the introduction, although his publisher ignores the disclaimer and calls it a biography on the cover. In fact, the book is a bit of both, a difficult combination to bring off unless you're David Thomson, who set the standard with Rosebud, his penetrating rumination on the life and career of Orson Welles, which was nothing if not a distillation of every obsessive thought he ever had about the myth and the man and all his movies.
LAUREN BACALL, STILL SALTY AT 80 
When Lauren Bacall writes that her singing voice ranges "somewhere between B minus sharp and outer space," she's being candid and funny. It's not every stage star with two Tony Awards for best actress in a musical whose vocal talent offers so little promise. (OK, Harvey Fierstein excepted.) Still less would one admit it.
THE STARS ACCORDING TO BOGDANOVICH 
Peter Bogdanovich's superb collection of movie-star profiles and interviews -- a sequel to Who the Devil Made It, his interviews of top film directors -- begins with an affectionate tale about Orson Welles that reminds us just how intimate the author's connection to Hollywood's greatest has been. But contrary to what we've come to expect from dime-a-dozen celebrities and celebrity interviews not worth two cents, the tale avoids bromidic egotism and journalistic platitudes.
SAMMY'S WHITE DREAMS 
Four decades ago Lenny Bruce sentenced Sammy Davis Jr. to "30 years in Biloxi," stripping him of "his Jewish star" and "his religious statue of Elizabeth Taylor." Now we have two new biographies of Davis that spring him from ridicule, if not from doubts about his legacy, and restore a measure of dignity to a black entertainer whose huge fame and success never overcame his devout wish -- indeed his lifelong effort -- to be white.
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