WONDERFUL TOWN, WONDERFUL SCREED

Gotta love the New York Press alternative weekly for its list of 50 Most Loathsome New Yorkers. Among those on the receiving end of its full-bore contempt are movie director Sofia Coppola (50), ad man Donny Deutsch (40), liberal pundit Eric Alterman (39), author James Frey (30), anchor woman Diane Sawyer (23), Dean of the Actors Studio James Lipton (17) and a host of bankers, politicians, media moguls, corporate chiefs, lawyers, professors, pro-smoking activists, bloggers, gossip columnists, actors, comedians, publicists and reporters.

Topping the list is former New York Mayor Rudy Giuliani, now a businessman. Rest assured, the luminaries who made the list are not likely to gaze upon its wonderful screed. They would gag if they did. Here, for example, is what it says about James Lipton:

It's not just that his sycophantic interviewing technique has transcended butt-kissing to become all-out analingus, or that he's sullied the stage where Pacino performed Mamet with paeans to Ben Affleck. It's not the fey cadence and maddening British affect. It's that Lipton has become so obsessed with full-penetration starfucking that he's allowed the Actors Studio to deteriorate into a fifth-rate factory whose graduates aren't prepared for a two-liner on "Law & Order." In the days of Elia Kazan and Lee Strasberg, the Actors Studio was considered more important than the Yale School of Drama; today it competes with continuing education classes at the Learning Annex. Memo to Lipton: Taking it from Jay Leno and Ethan Hawke isn't doing much for your students. And you look ridiculous.

About James Frey:

It still boggles the brain that so many fell for this brawny brat's 2003 rehab memoir, "A Million Little Pieces." Clearly there's a huge audience starved for dimestore, parodic Hemingway machismo. And Frey, the self-proclaimed "greatest writer of his generation," is the man to give it to them. He boasts about getting in real old-time fistfights with his fellow junkie patients and about beating a priest almost to death for daring to touch Frey's very masculine thigh—classic 1930s retro-prose, homoerotic and homophobic at once. His characters are as anachronistic as his writing; there's a steelworker "as hard as the material he works with" and endless tearful farewell scenes with a fisherman, who actually says, "I ain't much for words, kid." Frey's fellow patients all talk like outtakes from a Spencer Tracy movie, pasted into Frey's poorly written, 400-page ode to his family-funded self.

About Diane Sawyer:

The queen of broadcast journalism infotainment, Diane is ABC News' incessant ingenue that we hope one day interviews a hungry Siberian tiger. As Good Morning America's 50-something going on 30-something blond and blue-eyed eternal debutante, she coyly sucks pudding from Wolfgang Puck's spoon, creams over celebrities and moguls of any stripe, cries like an insipid crocodile for the victims of fêted daily tragedies and bats her eyelashes while touting her Nixon-White-House-past. For her current multi-million-dollar-per-year contract, Diane guarantees an overdose of saccharine sufficiently strong to send viewers into a coma, but not strong enough to flush the fourth-place network's morning ratings out of the toilet.

About Donny Deutsch:

Deutsch represents the latest trend in that most loathsome of New York traditions: the selling of adolescent greed, egomania and narcissism as charisma and depth of character. The chief of David Deutsch Associates says he only hires "Jews, chicks and fags," and is known for tearing off his shirt during office hours and saying—without irony—things like, "I can kick the ass of any CEO in advertising!" Think Steven Seagal meets Charlotte Beers. The "Elvis of Advertising" has been dabbling with a CNBC talk show and even told New York magazine that he'd consider running for mayor. Qualifications: good at selling shit, does lots of pushups. Look out, Bloomie.
About Rudy Giuliani:

For running around the streets of Lower Manhattan without visibly crapping himself, Giuliani was elevated from the world's most hypocritical goon to He-Man, Master of the Universe. Forget his violating federal handicap laws, his wars on rent control and community gardens, his refusal to test DNA rape kits until the five-year statute of limitations was up, or his corporate real estate giveaways—Rudy is now considered a Great and Heroic American Mayor. After office, Rudy wasted no time cashing in on his immaculately conceived new stature, riding into a post-mayoral sunset of private sector millions, five-figure lectures and flattering rumors about his political future in the GOP. It was toward this last end that Rudy came out in defense of Bush's Ground Zero campaign ads last month. And why not? He's co-chair of the Republican National Convention host committee, and the tragedy saved his sinking ass too.

Congratulations, Rudy. Though we prayed you'd fade away, your insistent grandstanding, lingering influence and threats of future public office leave us no choice. For actions past and present, you are hereby crowned 2004's Most Loathsome New Yorker. If we didn't have a rule against it, you'd probably be here for life.

Alistair Cooke did not make the list, I am happy to report.

March 31, 2004 12:13 PM |

Categories:

Me Elsewhere

'WILD SIDE' STILL ROCKS 

Nelson Algren was one of the great American authors of the 20th century, it is no exaggeration to say, and among the most neglected. Consider his underrated classic, "A Walk on the Wild Side." The title -- popularized and co-opted as an idiomatic phrase by Hollywood and Madison Avenue (institutions Algren loathed) -- is familiar to most anyone who speaks English or knows Lou Reed's lyrics. But the novel itself? Hardly.

BUSTER KEATON REVISITED 
Buster Keaton: Tempest in a Flat Hat is not a biography. "This book is merely a fan's notes," Edward McPherson writes in the introduction, although his publisher ignores the disclaimer and calls it a biography on the cover. In fact, the book is a bit of both, a difficult combination to bring off unless you're David Thomson, who set the standard with Rosebud, his penetrating rumination on the life and career of Orson Welles, which was nothing if not a distillation of every obsessive thought he ever had about the myth and the man and all his movies.
LAUREN BACALL, STILL SALTY AT 80 
When Lauren Bacall writes that her singing voice ranges "somewhere between B minus sharp and outer space," she's being candid and funny. It's not every stage star with two Tony Awards for best actress in a musical whose vocal talent offers so little promise. (OK, Harvey Fierstein excepted.) Still less would one admit it.
THE STARS ACCORDING TO BOGDANOVICH 
Peter Bogdanovich's superb collection of movie-star profiles and interviews -- a sequel to Who the Devil Made It, his interviews of top film directors -- begins with an affectionate tale about Orson Welles that reminds us just how intimate the author's connection to Hollywood's greatest has been. But contrary to what we've come to expect from dime-a-dozen celebrities and celebrity interviews not worth two cents, the tale avoids bromidic egotism and journalistic platitudes.
HERMAN WOUK'S LATEST 
It's hard to say which comes off worse in Herman Wouk's latest novel, his first in a decade: the U.S. Congress or the American press. "A Hole in Texas" offers the choice between two emblematic stereotypes: a red-faced opportunist who heads the House Armed Services Committee and a mustachioed investigative reporter for the Washington Post.
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