ASSAULT ON THE SYSTEM

Paul Gigot, editor of The Wall Street Journal's deeply, archly conservative editorial page -- he's known in the trade as Paul Giggly, or in some quarters as Paulie Giggles aka Paul Gidget -- is probably gnashing his teeth over a reporting staff that keeps turning out uncomfortable stories that run counter to the editorials.

In a stunner reported this morning by the Journal, the five U.S. military lawyers designated to represent the Guantanamo detainees in the first U.S. military tribunals since World War II "have launched a surprisingly vigorous assault on the system that hired them."

Allying themselves with human-rights groups, the five members of the Advocate General's Corps -- JAGs as the military lawyers are called -- "have attacked the tribunals [authorized by the Bush administration] as inherently unfair, contrary to international law and susceptible to political influence," Jess Bravin reports in a front-page article.

Ultimately, the JAGs are expected to challenge virtually every aspect of the administration's policies on Guantanamo detainees, from the denial of protections of the Geneva Conventions to the interrogation methods used in extracting statements. As the first trials draw near, the JAGs' approach could force the administration either to answer in open court or risk undercutting its longstanding promise that the tribunals will be "full and fair."

Unless you pay a pricey subscription fee, you don't usually get a chance to read The Wall Street Journal's articles online, especially not its top stories. But you can read this one by going here.

March 18, 2004 10:46 AM |

Categories:

Me Elsewhere

'WILD SIDE' STILL ROCKS 

Nelson Algren was one of the great American authors of the 20th century, it is no exaggeration to say, and among the most neglected. Consider his underrated classic, "A Walk on the Wild Side." The title -- popularized and co-opted as an idiomatic phrase by Hollywood and Madison Avenue (institutions Algren loathed) -- is familiar to most anyone who speaks English or knows Lou Reed's lyrics. But the novel itself? Hardly.

BUSTER KEATON REVISITED 
Buster Keaton: Tempest in a Flat Hat is not a biography. "This book is merely a fan's notes," Edward McPherson writes in the introduction, although his publisher ignores the disclaimer and calls it a biography on the cover. In fact, the book is a bit of both, a difficult combination to bring off unless you're David Thomson, who set the standard with Rosebud, his penetrating rumination on the life and career of Orson Welles, which was nothing if not a distillation of every obsessive thought he ever had about the myth and the man and all his movies.
LAUREN BACALL, STILL SALTY AT 80 
When Lauren Bacall writes that her singing voice ranges "somewhere between B minus sharp and outer space," she's being candid and funny. It's not every stage star with two Tony Awards for best actress in a musical whose vocal talent offers so little promise. (OK, Harvey Fierstein excepted.) Still less would one admit it.
THE STARS ACCORDING TO BOGDANOVICH 
Peter Bogdanovich's superb collection of movie-star profiles and interviews -- a sequel to Who the Devil Made It, his interviews of top film directors -- begins with an affectionate tale about Orson Welles that reminds us just how intimate the author's connection to Hollywood's greatest has been. But contrary to what we've come to expect from dime-a-dozen celebrities and celebrity interviews not worth two cents, the tale avoids bromidic egotism and journalistic platitudes.
SAMMY'S WHITE DREAMS 
Four decades ago Lenny Bruce sentenced Sammy Davis Jr. to "30 years in Biloxi," stripping him of "his Jewish star" and "his religious statue of Elizabeth Taylor." Now we have two new biographies of Davis that spring him from ridicule, if not from doubts about his legacy, and restore a measure of dignity to a black entertainer whose huge fame and success never overcame his devout wish -- indeed his lifelong effort -- to be white.
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