A SILENCE WORTH A THOUSAND WORDS

More was said by the stunned silence following Richard Clarke's defense of his sworn testimony yesterday before the 9/11 commission than all his sobering words. Yet none of the reports that I have seen in the print press or on television has captured the impact of that moment, let alone mentioned it -- -- except, of course, C-SPAN3's complete telecast.

After Clarke's dramatic opening statement -- an apology to "the loved ones" of those who died on 9/11 for the failure of the U.S. government to protect them, and for his own personal failure as counterterrorism coordinator of the Bush administration -- the most significant moment came in his reply to former Secretary of the Navy John F. Lehman. Clarke had "a real credibility problem," Lehman said, because his testimony differed from what he wrote in his just-published book, an angry attack on the Bushies entitled "Against All Enemies : Inside the White House's War on Terror -- What Really Happened." 

Everyone has reported that Lehman, like his fellow Republican, former Illinois Gov. Jim Thompson, wondered whether Clarke was merely "an active partisan selling a book" during a presidential campaign. Everyone has reported that Lehman wanted to know how Clarke resolved the difference between his 15 hours of private testimony and his book. And everyone has reported Clarke's explanation:

"No one asked me what I thought about the president's invasion of Iraq," Clarke said. "The reason that I am strident in my criticism of the president of the United States is that by invading Iraq -- something I was not asked by the commission -- but by invading Iraq, the president of the United States has greatly undermined the war on terrorism."

They say that when cross-examining a witness in court, it's wise -- imperative even -- to know in advance, or at least to anticipate, what the witness will reply to a question. Otherwise the answer could backfire. Clarke's reponse to Lehman was the perfect demonstration. The misguided invasion of Iraq, which was the elephant in the room, had trumpeted its presence. The stunned silence following his reply could not have lasted for more than 10 or 15 seconds. Yet those seconds seemed like an eternity.

The hush that descended on the hearing room was unique in a day of voluble testimony from various witnesses, including CIA Director George Tenet. It brought the drama to a climax. News reports recorded the words, but not the silence. TV clips excerpted the words, but not the silence. Maybe you had to be a drama critic to appreciate it.

Postscript: Well, well. The moment registered with Randall C. Archibold in a sidebar. He quotes Julie Talen, who watched the hearing from her Soho apartment: "Did you see that moment of silence?" Talen is identified as a writer-director. Figures.

March 25, 2004 9:39 AM |

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Me Elsewhere

'WILD SIDE' STILL ROCKS 

Nelson Algren was one of the great American authors of the 20th century, it is no exaggeration to say, and among the most neglected. Consider his underrated classic, "A Walk on the Wild Side." The title -- popularized and co-opted as an idiomatic phrase by Hollywood and Madison Avenue (institutions Algren loathed) -- is familiar to most anyone who speaks English or knows Lou Reed's lyrics. But the novel itself? Hardly.

BUSTER KEATON REVISITED 
Buster Keaton: Tempest in a Flat Hat is not a biography. "This book is merely a fan's notes," Edward McPherson writes in the introduction, although his publisher ignores the disclaimer and calls it a biography on the cover. In fact, the book is a bit of both, a difficult combination to bring off unless you're David Thomson, who set the standard with Rosebud, his penetrating rumination on the life and career of Orson Welles, which was nothing if not a distillation of every obsessive thought he ever had about the myth and the man and all his movies.
LAUREN BACALL, STILL SALTY AT 80 
When Lauren Bacall writes that her singing voice ranges "somewhere between B minus sharp and outer space," she's being candid and funny. It's not every stage star with two Tony Awards for best actress in a musical whose vocal talent offers so little promise. (OK, Harvey Fierstein excepted.) Still less would one admit it.
THE STARS ACCORDING TO BOGDANOVICH 
Peter Bogdanovich's superb collection of movie-star profiles and interviews -- a sequel to Who the Devil Made It, his interviews of top film directors -- begins with an affectionate tale about Orson Welles that reminds us just how intimate the author's connection to Hollywood's greatest has been. But contrary to what we've come to expect from dime-a-dozen celebrities and celebrity interviews not worth two cents, the tale avoids bromidic egotism and journalistic platitudes.
HERMAN WOUK'S LATEST 
It's hard to say which comes off worse in Herman Wouk's latest novel, his first in a decade: the U.S. Congress or the American press. "A Hole in Texas" offers the choice between two emblematic stereotypes: a red-faced opportunist who heads the House Armed Services Committee and a mustachioed investigative reporter for the Washington Post.
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