BAD TASTE AS A DOOMSDAY THEORY

It looks like bad taste may bring the world to an end in what's being called the Big Rip. Not content with being the bĂȘte noire merely of aesthetes and high-minded critics, bad taste has become a new obsession for cosmologists trying to understand "a mysterious force called dark energy [that] seems to be wrenching the universe apart."

This dark energy -- also termed phantom energy -- "crosses a boundary of good taste," says Darmouth physicist Robert Caldwell, co-author of a paper exploring "the possibility that a mysterious force permeating space-time will be strong enough to blow everything apart, shred rocks, animals, molecules and finally even atoms in a last seemingly mad instant of cosmic self-abnegation."

Bad taste is the stuff of "bad news," Caldwell says, because, as Dennis Overbye writes in The New York Times, "Phantom energy violates physicists' intuitions about how the universe should behave." Good taste would mean less weirdness. Imagine what could happen, short of a galactic apocalypse. A chunk of phantom energy "could be used to prop open wormholes in space and time -- and thus create time machines, for example," Overbye writes.

Other scientists are equally dismayed. One says it's "unphysical, but we're not ruling it out." Robert Kirshner, of the Harvard Smithsonian Center for Astrophysics, tells Overbye that the idea of a mysterious force wrenching the universe apart had been dismissed as "too strange." Kirshner says, "It sounds wacky, but I think we're in a situation where we're going to need a really new idea. We're in trouble. ... It might be our ideas are not wild enough, they don't question fundamentals enough."

Is it possible that 21st-century scientists need to take a cue from the bad taste of "Lord of the Rings" director Peter Jackson? His first full feature film, made in 1983, put him way ahead of the game. Titled, yes, "Bad Taste," it's been called "a testament to what can be done with a small budget and a lot of dedication." That's something cosmologists ought to keep in mind with the expected loss of the Hubble Space Telescope, which could help measure the parameters of phantom energy.

Perhaps scientists should borrow one of the posters for that movie -- < B>Good  Taste Made Bad Taste -- as sandwich boards to lobby for continuation of the Hubble program. Or if it's not too disgusting, they might consider screening "the particularly gruesome effects" in Jackson's low-budget "Braindead" for NASA administrator Sean O'Keefe as part of a "save the Hubble" campaign.

February 18, 2004 9:59 AM |

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Me Elsewhere

'WILD SIDE' STILL ROCKS 

Nelson Algren was one of the great American authors of the 20th century, it is no exaggeration to say, and among the most neglected. Consider his underrated classic, "A Walk on the Wild Side." The title -- popularized and co-opted as an idiomatic phrase by Hollywood and Madison Avenue (institutions Algren loathed) -- is familiar to most anyone who speaks English or knows Lou Reed's lyrics. But the novel itself? Hardly.

BUSTER KEATON REVISITED 
Buster Keaton: Tempest in a Flat Hat is not a biography. "This book is merely a fan's notes," Edward McPherson writes in the introduction, although his publisher ignores the disclaimer and calls it a biography on the cover. In fact, the book is a bit of both, a difficult combination to bring off unless you're David Thomson, who set the standard with Rosebud, his penetrating rumination on the life and career of Orson Welles, which was nothing if not a distillation of every obsessive thought he ever had about the myth and the man and all his movies.
LAUREN BACALL, STILL SALTY AT 80 
When Lauren Bacall writes that her singing voice ranges "somewhere between B minus sharp and outer space," she's being candid and funny. It's not every stage star with two Tony Awards for best actress in a musical whose vocal talent offers so little promise. (OK, Harvey Fierstein excepted.) Still less would one admit it.
THE STARS ACCORDING TO BOGDANOVICH 
Peter Bogdanovich's superb collection of movie-star profiles and interviews -- a sequel to Who the Devil Made It, his interviews of top film directors -- begins with an affectionate tale about Orson Welles that reminds us just how intimate the author's connection to Hollywood's greatest has been. But contrary to what we've come to expect from dime-a-dozen celebrities and celebrity interviews not worth two cents, the tale avoids bromidic egotism and journalistic platitudes.
HERMAN WOUK'S LATEST 
It's hard to say which comes off worse in Herman Wouk's latest novel, his first in a decade: the U.S. Congress or the American press. "A Hole in Texas" offers the choice between two emblematic stereotypes: a red-faced opportunist who heads the House Armed Services Committee and a mustachioed investigative reporter for the Washington Post.
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