THEY CALL THIS FAIR PLAY

CBS won't budge. More than 340,000 emails and phone calls since Friday have had no effect. The network is still refusing to run moveon.org's 30-second ad "Child's Pay" during the Super Bowl on Sunday. Yet it's "allowing the Bush White House to run an advocacy ad of its own," moveon.org says. Apparently that's the CBS version of fair play.

"The First Amendment doesn't mean a whole lot" when CBS flouts its "constitutional obligation to air opposing points of view," Moveon.org adds.

Meantime, CBS is charging an average of $2.3 million for 30-second Super Bowl spots. Who's paying for the privilege? The usual suspects: Budweiser, FedEx, General Motors, I.B.M., Procter & Gamble, Pepsico, Walt Disney, Sony Pictures, Lay's potato chips, Cialis and Levitra erectile-dysfunction drugs.

Full disclosure: We didn't call CBS for comment. We're playing by its rules. And doncha just love this photo? (Enlarge it!)

Postscript: A reader wants to know, Is CBS really flouting its constitutional obligation or merely acting within its right to air what it wants? Good question. I doubt that CBS is violating the letter of the law, or its legal advisers aren't worth a dime. But I'd say it's certainly violating the spirit of the law.

January 29, 2004 10:41 AM |

Categories:

Me Elsewhere

'WILD SIDE' STILL ROCKS 

Nelson Algren was one of the great American authors of the 20th century, it is no exaggeration to say, and among the most neglected. Consider his underrated classic, "A Walk on the Wild Side." The title -- popularized and co-opted as an idiomatic phrase by Hollywood and Madison Avenue (institutions Algren loathed) -- is familiar to most anyone who speaks English or knows Lou Reed's lyrics. But the novel itself? Hardly.

BUSTER KEATON REVISITED 
Buster Keaton: Tempest in a Flat Hat is not a biography. "This book is merely a fan's notes," Edward McPherson writes in the introduction, although his publisher ignores the disclaimer and calls it a biography on the cover. In fact, the book is a bit of both, a difficult combination to bring off unless you're David Thomson, who set the standard with Rosebud, his penetrating rumination on the life and career of Orson Welles, which was nothing if not a distillation of every obsessive thought he ever had about the myth and the man and all his movies.
LAUREN BACALL, STILL SALTY AT 80 
When Lauren Bacall writes that her singing voice ranges "somewhere between B minus sharp and outer space," she's being candid and funny. It's not every stage star with two Tony Awards for best actress in a musical whose vocal talent offers so little promise. (OK, Harvey Fierstein excepted.) Still less would one admit it.
THE STARS ACCORDING TO BOGDANOVICH 
Peter Bogdanovich's superb collection of movie-star profiles and interviews -- a sequel to Who the Devil Made It, his interviews of top film directors -- begins with an affectionate tale about Orson Welles that reminds us just how intimate the author's connection to Hollywood's greatest has been. But contrary to what we've come to expect from dime-a-dozen celebrities and celebrity interviews not worth two cents, the tale avoids bromidic egotism and journalistic platitudes.
SAMMY'S WHITE DREAMS 
Four decades ago Lenny Bruce sentenced Sammy Davis Jr. to "30 years in Biloxi," stripping him of "his Jewish star" and "his religious statue of Elizabeth Taylor." Now we have two new biographies of Davis that spring him from ridicule, if not from doubts about his legacy, and restore a measure of dignity to a black entertainer whose huge fame and success never overcame his devout wish -- indeed his lifelong effort -- to be white.
more picks

Sites to See

About this Entry

This page contains a single entry by CriticalMASS published on January 29, 2004 10:41 AM.

MASTER IN THE STREETS was the previous entry in this blog.

KRUGMAN AND HERBERT is the next entry in this blog.

Find recent content on the main index or look in the archives to find all content.

Creative Commons License
This weblog is licensed under a Creative Commons License.