LINING UP FOR CHUCHO

Jazz critic Ben Ratliff made my day on New Year's with a gorgeous, appreciative review of Chucho Valdes and his New York-based quartet at Manhattan's Village Vanguard.

"You can start to take the virtuosity of Cuban musicians for granted sometimes, especially when they're playing material that binds itself in technique," he began. "One example is Chucho Valdes, the pianist who is the dean of Latin jazz." The first set of the six-night stand, which ends tonight, "was one of the best shows I had heard all year," Ratliff went on. The group's "genuinely fresh" spontaneity, he pointed out, may have resulted in part from having had only two rehearsals.

A friend of mine who was in from Seattle managed to get reservations. I still haven't heard whether she actually got in. The Vanguard is a small club, and Chucho has a huge following. I imagine the show was sold out long before Ratliff's review. After it ran, the Vanguard simply stopped answering the phone -- or so it seemed.

But this morning, I finally managed to get through to a recording. The only way to wrangle a seat, for anyone who's interested, is to get to the club about 30 to 40 minutes before the set starts. There are two sets tonight, at 9 and 11. You might luck out on standby in case of no-shows. "If you're among the first 10 or 15 people on line," the recording said, "you have a decent chance of getting in."

See you there.

January 4, 2004 1:04 AM |

Categories:

Me Elsewhere

'WILD SIDE' STILL ROCKS 

Nelson Algren was one of the great American authors of the 20th century, it is no exaggeration to say, and among the most neglected. Consider his underrated classic, "A Walk on the Wild Side." The title -- popularized and co-opted as an idiomatic phrase by Hollywood and Madison Avenue (institutions Algren loathed) -- is familiar to most anyone who speaks English or knows Lou Reed's lyrics. But the novel itself? Hardly.

BUSTER KEATON REVISITED 
Buster Keaton: Tempest in a Flat Hat is not a biography. "This book is merely a fan's notes," Edward McPherson writes in the introduction, although his publisher ignores the disclaimer and calls it a biography on the cover. In fact, the book is a bit of both, a difficult combination to bring off unless you're David Thomson, who set the standard with Rosebud, his penetrating rumination on the life and career of Orson Welles, which was nothing if not a distillation of every obsessive thought he ever had about the myth and the man and all his movies.
LAUREN BACALL, STILL SALTY AT 80 
When Lauren Bacall writes that her singing voice ranges "somewhere between B minus sharp and outer space," she's being candid and funny. It's not every stage star with two Tony Awards for best actress in a musical whose vocal talent offers so little promise. (OK, Harvey Fierstein excepted.) Still less would one admit it.
THE STARS ACCORDING TO BOGDANOVICH 
Peter Bogdanovich's superb collection of movie-star profiles and interviews -- a sequel to Who the Devil Made It, his interviews of top film directors -- begins with an affectionate tale about Orson Welles that reminds us just how intimate the author's connection to Hollywood's greatest has been. But contrary to what we've come to expect from dime-a-dozen celebrities and celebrity interviews not worth two cents, the tale avoids bromidic egotism and journalistic platitudes.
HERMAN WOUK'S LATEST 
It's hard to say which comes off worse in Herman Wouk's latest novel, his first in a decade: the U.S. Congress or the American press. "A Hole in Texas" offers the choice between two emblematic stereotypes: a red-faced opportunist who heads the House Armed Services Committee and a mustachioed investigative reporter for the Washington Post.
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