THE FUNNY PAGES

Who said The New York Times has no sense of humor? Its obituary page became a scandal earlier this month, prompting an in-house warning to the staff, but an obit correction this morning (sixth paragraph down) still read like a satire from The Onion:

An obituary on Wednesday about Lewis M. Allen, a theater and film producer, misidentified a Tony Award won by his production of "Annie." It was for best musical, not best play. The obituary also included a credit erroneously. The producer of the play "The Prime of Miss Jean Brodie" was Robert Whitehead.

The obituary also referred incorrectly to the movie "The Connection," which Mr. Allen produced, and misstated its year. It was not a Francis Ford Coppola film and was not nominated for an Oscar. It was released in 1962, not 1974. ("The Conversation," by Mr. Coppola, was a 1974 movie that was nominated for Oscars.)

The obituary also misspelled the title of the Alfred Hitchcock movie written by Mr. Allen's wife, Jay Presson Allen. It was "Marnie," not "Marny."

Also this morning, Times op-ed columnist David Brooks seems to believe he's writing for The Onion. "I think we are all disgusted by the way George W. Bush's administration has allowed honesty and candor to seep into the genteel world of international affairs," he writes in "A Fetish of Candor." He actually believes the Maximum Leader and his cronies are "drunk on truth serum." (If Brooks keeps this up, the Times is going to have to start testing him for steroids.)

Finally, this morning's Gray Lady offered a tidbit from Reuters that's too funny for The Onion. At the European Union summit meeting on Friday, Italy's multibillionaire prime minister, Silvio Berlusconi, told a joke "about being thrown from a helicopter" that "went like this, according to an aide who heard it":

Mr. Berlusconi and his wife were flying over a crowd of protesters when he said to her: "I could throw out one 10,000-euro note and make one person happy. I could throw two 5,000-euro notes and make two people happy. Or I could throw 10,000 1-euro coins and make 10,000 people happy." To which the pilot replied, "We could throw you out and make everyone happy."

It sounds like an urban legend that David Brooks might have made up, but it's not. 

December 13, 2003 12:27 PM |

Categories:

Me Elsewhere

'WILD SIDE' STILL ROCKS 

Nelson Algren was one of the great American authors of the 20th century, it is no exaggeration to say, and among the most neglected. Consider his underrated classic, "A Walk on the Wild Side." The title -- popularized and co-opted as an idiomatic phrase by Hollywood and Madison Avenue (institutions Algren loathed) -- is familiar to most anyone who speaks English or knows Lou Reed's lyrics. But the novel itself? Hardly.

BUSTER KEATON REVISITED 
Buster Keaton: Tempest in a Flat Hat is not a biography. "This book is merely a fan's notes," Edward McPherson writes in the introduction, although his publisher ignores the disclaimer and calls it a biography on the cover. In fact, the book is a bit of both, a difficult combination to bring off unless you're David Thomson, who set the standard with Rosebud, his penetrating rumination on the life and career of Orson Welles, which was nothing if not a distillation of every obsessive thought he ever had about the myth and the man and all his movies.
LAUREN BACALL, STILL SALTY AT 80 
When Lauren Bacall writes that her singing voice ranges "somewhere between B minus sharp and outer space," she's being candid and funny. It's not every stage star with two Tony Awards for best actress in a musical whose vocal talent offers so little promise. (OK, Harvey Fierstein excepted.) Still less would one admit it.
THE STARS ACCORDING TO BOGDANOVICH 
Peter Bogdanovich's superb collection of movie-star profiles and interviews -- a sequel to Who the Devil Made It, his interviews of top film directors -- begins with an affectionate tale about Orson Welles that reminds us just how intimate the author's connection to Hollywood's greatest has been. But contrary to what we've come to expect from dime-a-dozen celebrities and celebrity interviews not worth two cents, the tale avoids bromidic egotism and journalistic platitudes.
SAMMY'S WHITE DREAMS 
Four decades ago Lenny Bruce sentenced Sammy Davis Jr. to "30 years in Biloxi," stripping him of "his Jewish star" and "his religious statue of Elizabeth Taylor." Now we have two new biographies of Davis that spring him from ridicule, if not from doubts about his legacy, and restore a measure of dignity to a black entertainer whose huge fame and success never overcame his devout wish -- indeed his lifelong effort -- to be white.
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This page contains a single entry by CriticalMASS published on December 13, 2003 12:27 PM.

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