HAVE AN ORANGE NEW YEAR

It's Code Orange. We're told not to worry but to keep an eye out for anything suspicious. So we interrupt our vacation to bring you this report from the land of New York City. An observant correspondent writes:

"Nobody believes me, but every single time we drive into the city along the West Side Highway beside the Hudson River, we always, always, always see a huge black barge-like object hovering in the river, just off the shipping channel, about even with 96th Street.

"It seems very odd indeed that there would always be such an object so near to the busy shipping lanes. Barges and coastal steamers are always plying the river to and from the northern cities of Albany, Troy, and points in between. We first noticed this object after September 11, 2001.

"My theory, since first spotting it, is that it might contain guided missiles which could be sent aloft in the event an aircraft is detected headed for impact in the city. And if so, I think it's a pretty good idea."

This was my reply:

"A friend of mine sees that barge-like object from her window overlooking the river and always wondered herself what it might be. I told her to get a pair of binoculars and have a closer look. She says the thing occasionally moves away and then returns, which doesn't mean it's NOT a missile launcher. But don't you think the authorities would have to be more clandestine? Although it might make sense to isolate a missile launcher in the river, it's there for anyone to see from all the apartment buildings lining Riverside Drive and further down to midtown. I would imagine it would arouse curiosity and, if so, would have made the papers by now."

My correspondent did not reply to that reply, but sent another message:

"Now we're getting somewhere. Here's a note from a friend of my sister-in-law. The fellow lives in Westport, Conn.: 'Within days of 9/11, there were two huge black unmarked barges right off the beach in Westport. I was on my bicycle at the beach and stopped to talk to a cop, and he confirmed to his best guess that they were military. He being an ex-Marine. They were there only a few weeks. It could be what was brought to the NYC harbor. I hope it means that we are being protected.' "

The gyre turns. We're getting messages within messages. And this morning my correspondent sent another message with a message within:

"Well, now it's getting silly as people let their imagination run with the barge mystery. I seem to have started a kind of barge blog:

'Ok, here's how it looks. Al Qaeda plants the barges in Connecticut. The Coast Guard, thinking it was put there by the CIA, tows them to NY. Next, Mayor Bloomberg will have them hauled to Central Park as a monument to GB for protecting us. The Al Qaeda get out of the barge and blow up the GM Building. Fortunately, it is Sunday and no one is in the building except some 5th Avenue lawyers working on a secret merger between Halliburton and the Saudi's sponsored by Cheney. Cheney gets upset and starts an inquiry. The Jews are blamed for the whole thing because they would not settle with Arafat and give up Israel.'

"That's just one example. Enough."

The mystery remains unsolved, and we're going back on vacation.

December 23, 2003 12:36 PM |

Categories:

Me Elsewhere

'WILD SIDE' STILL ROCKS 

Nelson Algren was one of the great American authors of the 20th century, it is no exaggeration to say, and among the most neglected. Consider his underrated classic, "A Walk on the Wild Side." The title -- popularized and co-opted as an idiomatic phrase by Hollywood and Madison Avenue (institutions Algren loathed) -- is familiar to most anyone who speaks English or knows Lou Reed's lyrics. But the novel itself? Hardly.

BUSTER KEATON REVISITED 
Buster Keaton: Tempest in a Flat Hat is not a biography. "This book is merely a fan's notes," Edward McPherson writes in the introduction, although his publisher ignores the disclaimer and calls it a biography on the cover. In fact, the book is a bit of both, a difficult combination to bring off unless you're David Thomson, who set the standard with Rosebud, his penetrating rumination on the life and career of Orson Welles, which was nothing if not a distillation of every obsessive thought he ever had about the myth and the man and all his movies.
LAUREN BACALL, STILL SALTY AT 80 
When Lauren Bacall writes that her singing voice ranges "somewhere between B minus sharp and outer space," she's being candid and funny. It's not every stage star with two Tony Awards for best actress in a musical whose vocal talent offers so little promise. (OK, Harvey Fierstein excepted.) Still less would one admit it.
THE STARS ACCORDING TO BOGDANOVICH 
Peter Bogdanovich's superb collection of movie-star profiles and interviews -- a sequel to Who the Devil Made It, his interviews of top film directors -- begins with an affectionate tale about Orson Welles that reminds us just how intimate the author's connection to Hollywood's greatest has been. But contrary to what we've come to expect from dime-a-dozen celebrities and celebrity interviews not worth two cents, the tale avoids bromidic egotism and journalistic platitudes.
SAMMY'S WHITE DREAMS 
Four decades ago Lenny Bruce sentenced Sammy Davis Jr. to "30 years in Biloxi," stripping him of "his Jewish star" and "his religious statue of Elizabeth Taylor." Now we have two new biographies of Davis that spring him from ridicule, if not from doubts about his legacy, and restore a measure of dignity to a black entertainer whose huge fame and success never overcame his devout wish -- indeed his lifelong effort -- to be white.
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