WORDS AT PLAY

Time for a change of subject. How about whale-spotting?

Leon Freilich, bidding fair to be his generation's Ogden Nash, noticed a news story, "A Whale Stops By, but Doesn't Stay Long," that related a bodacious game of hide-and-seek earlier this week off the coast of Far Rockaway.

"Reporters raced to the scene," where a whale was supposed to have come ashore, the story said. "But by the time they arrived, there was no whale to be seen." Such is life for the breathless New York press corps.

A member of the press himself, Freilich reached into his bag of tricks and turned the account to verse, like so:

WHALE AND FAREWELL

It isn’t often jets of spray
Are spotted in New York’s own bay,
The mammal’s gushers blue and gray
Like a moody painting by Monet
(Or do I mean copain Manet?).
Sea creature, believe me when I say
All the town was hoping you’d stay.
But instead of a daytrip to Rockaway
O whale, you swanned off thataway.
What possible factors did you weigh
That led to this dispiriting display?
Does Gotham’s glass and steel array
Of buildings bring on some dismay
And make you long for the blessèd day
When once again you’re in Monterrey?
You gave us locals no chance to display
Our genuine love of Cetacea at play.
So, whale, next time you’re out this way,
Let’s hoist drinks at an aquatic café.

Freilich adds separately, in mundane prose: "The whale turned out to be cruising not Far Rockaway but Fire Island; and it wasn't a whale but Prince Charles."

November 13, 2003 10:31 AM |

Categories:

Me Elsewhere

'WILD SIDE' STILL ROCKS 

Nelson Algren was one of the great American authors of the 20th century, it is no exaggeration to say, and among the most neglected. Consider his underrated classic, "A Walk on the Wild Side." The title -- popularized and co-opted as an idiomatic phrase by Hollywood and Madison Avenue (institutions Algren loathed) -- is familiar to most anyone who speaks English or knows Lou Reed's lyrics. But the novel itself? Hardly.

BUSTER KEATON REVISITED 
Buster Keaton: Tempest in a Flat Hat is not a biography. "This book is merely a fan's notes," Edward McPherson writes in the introduction, although his publisher ignores the disclaimer and calls it a biography on the cover. In fact, the book is a bit of both, a difficult combination to bring off unless you're David Thomson, who set the standard with Rosebud, his penetrating rumination on the life and career of Orson Welles, which was nothing if not a distillation of every obsessive thought he ever had about the myth and the man and all his movies.
LAUREN BACALL, STILL SALTY AT 80 
When Lauren Bacall writes that her singing voice ranges "somewhere between B minus sharp and outer space," she's being candid and funny. It's not every stage star with two Tony Awards for best actress in a musical whose vocal talent offers so little promise. (OK, Harvey Fierstein excepted.) Still less would one admit it.
THE STARS ACCORDING TO BOGDANOVICH 
Peter Bogdanovich's superb collection of movie-star profiles and interviews -- a sequel to Who the Devil Made It, his interviews of top film directors -- begins with an affectionate tale about Orson Welles that reminds us just how intimate the author's connection to Hollywood's greatest has been. But contrary to what we've come to expect from dime-a-dozen celebrities and celebrity interviews not worth two cents, the tale avoids bromidic egotism and journalistic platitudes.
HERMAN WOUK'S LATEST 
It's hard to say which comes off worse in Herman Wouk's latest novel, his first in a decade: the U.S. Congress or the American press. "A Hole in Texas" offers the choice between two emblematic stereotypes: a red-faced opportunist who heads the House Armed Services Committee and a mustachioed investigative reporter for the Washington Post.
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This page contains a single entry by published on November 13, 2003 10:31 AM.

REGARDING POLANSKI AND 'THE PIANIST' was the previous entry in this blog.

OUT OF THE MOUTHS OF BABES is the next entry in this blog.

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