TALKING BACK TO THE TUBE

A friend messages: "Aren't you bothered by the fact that at a time when too many children in this country go to bed hungry, when senior citizens cannot afford medical care, when soldiers are being sent home from Iraq in boxes, the U.S. Senate held public hearings on college football's Bowl Championship Series? And you wonder why people blandly accept George W. Bush? We've exactly the government we deserve."

That got me to thinking: Have you reached the point of talking back to the network television news programs? I have ... whenever Gee Dubya Shrub comes on to tell me how wonderful things are in that "dangerous place" called Iraq ... whenever Rummy comes on shows like "Name That Tune" -- sorry, "This Week" and "Meet the Press" -- to say how "tragic days" (such as Sunday, when 16 U.S. soldiers died in the downing of a helicopter) are "necessary."

Lately, whenever the just-passed $87 billion appropriation for Iraq is mentioned, and especially when the $20 billion grant is mentioned, an involuntary reaction wells up. Nasty words form like cartoon bubbles on my lips. This sort of backtalk is no help of course, only a symptom of my desperation. It's a measure of outrage and frustration lying too close to the surface.

A Washington Post-ABC poll now shows that a majority of Americans are beginning to feel the same way (scroll down to fourth paragraph). The reason -- and here I'm taking the liberty of excerpting the words and transposing the reference points of one of the great writers of the 20th century -- is that almost every American between the end of World War II and 9/11 lived in the tacit belief that civilization would last forever. You might be individually fortunate or unfortunate but you had inside you the feeling that nothing would ever fundamentally change. But since 9/11 that sense of security has not existed. Osama bin Laden and the terrorist jihad shattered it as the Cold War, the Cuban missile crisis and even Vietnam had failed to shatter it. We've been living in a world in which not only one's life but one's whole scheme of values is constantly menaced. In such circumstances detachment is not possible. You cannot take a purely aesthetic interest in a disease you are dying from; you cannot feel dispassionately about a man who is about to cut your throat.

In fact, that passage is taken from a 1941 BBC broadcast on art and propaganda by George Orwell. (Read the original.) He was talking about Europeans, not Americans; about the period between 1890 and 1930, not 1945 and 2001; about the shattering impact of Hitler and the Depression compared to World War I and the Russian Revolution, not about Osama bin Laden and the terrorist jihad compared to the Cold War and so on. Admittedly, Orwell himself would not countenance such distortions of time and place. You can't change historical particulars and expect the same meaning to hold up.

But it's remarkable how well the transposition seems to fit. Uncanny even. It's why, when the president and his minions patronize me, when they treat me like an idiot too stupid or trusting to call them on their "unshakable" determination and pigheaded lies, when they claim for their own political aims and not my safety to be dealing with the terrorists holding the knife at my throat, that I go around the bend and find myself talking back to an inanimate object.

November 3, 2003 10:18 AM |

Categories:

Me Elsewhere

'WILD SIDE' STILL ROCKS 

Nelson Algren was one of the great American authors of the 20th century, it is no exaggeration to say, and among the most neglected. Consider his underrated classic, "A Walk on the Wild Side." The title -- popularized and co-opted as an idiomatic phrase by Hollywood and Madison Avenue (institutions Algren loathed) -- is familiar to most anyone who speaks English or knows Lou Reed's lyrics. But the novel itself? Hardly.

BUSTER KEATON REVISITED 
Buster Keaton: Tempest in a Flat Hat is not a biography. "This book is merely a fan's notes," Edward McPherson writes in the introduction, although his publisher ignores the disclaimer and calls it a biography on the cover. In fact, the book is a bit of both, a difficult combination to bring off unless you're David Thomson, who set the standard with Rosebud, his penetrating rumination on the life and career of Orson Welles, which was nothing if not a distillation of every obsessive thought he ever had about the myth and the man and all his movies.
LAUREN BACALL, STILL SALTY AT 80 
When Lauren Bacall writes that her singing voice ranges "somewhere between B minus sharp and outer space," she's being candid and funny. It's not every stage star with two Tony Awards for best actress in a musical whose vocal talent offers so little promise. (OK, Harvey Fierstein excepted.) Still less would one admit it.
THE STARS ACCORDING TO BOGDANOVICH 
Peter Bogdanovich's superb collection of movie-star profiles and interviews -- a sequel to Who the Devil Made It, his interviews of top film directors -- begins with an affectionate tale about Orson Welles that reminds us just how intimate the author's connection to Hollywood's greatest has been. But contrary to what we've come to expect from dime-a-dozen celebrities and celebrity interviews not worth two cents, the tale avoids bromidic egotism and journalistic platitudes.
SAMMY'S WHITE DREAMS 
Four decades ago Lenny Bruce sentenced Sammy Davis Jr. to "30 years in Biloxi," stripping him of "his Jewish star" and "his religious statue of Elizabeth Taylor." Now we have two new biographies of Davis that spring him from ridicule, if not from doubts about his legacy, and restore a measure of dignity to a black entertainer whose huge fame and success never overcame his devout wish -- indeed his lifelong effort -- to be white.
more picks

Sites to See

About this Entry

This page contains a single entry by CriticalMASS published on November 3, 2003 10:18 AM.

FLOPPY FRIDAY was the previous entry in this blog.

ONWARD, CHRISTIAN SOLDIERS is the next entry in this blog.

Find recent content on the main index or look in the archives to find all content.

Creative Commons License
This weblog is licensed under a Creative Commons License.