KEEPING SCORE

Charles Murray is stirring up trouble again. Emily Eakin reports in "A Cultural Scorecard Says West Is Ahead" that he says it's not his intention. "But his record is hard to ignore."

Murray, the conservative co-author of "The Bell Curve," which put the civilized world in an uproar when it professed that whites were smarter than blacks due to differences in hereditary IQ, now claims in another wicked book, "Human Accomplishment: The Pursuit of Excellence in the Arts and Sciences, 800 B.C. to 1950," that:

1) "Europeans and North Americans account for 97 percent of scientific accomplishment," Eakin notes, based on his inventory of "eight fields -- astronomy, biology, chemistry, earth sciences, physics, mathematics, medicine and technology -- as well as a combined index ranking scientists from all disciplines."

2) While Europe has been the overwhelmingly dominant influence on human achievement -- as measured by the relative amount of space given in 34 standard reference works in four languages to 4,002 significant people in the arts and sciences -- the European heyday of great accomplishment is over.

3) The most influential scientist ever is Newton, followed by Galileo and Aristotle. Then in a steep drop come Kepler, Lavoisier, Descartes, Huygens and Laplace, followed by Einstein (ninth on the list), Faraday, Pasteur and Ptolemy. Darwin doesn't show up until 17th, after Hooke, Leibniz, Rutherford and Euler. Finally, Berzelius, Euclid and Maxwell round out the top 20.

"For literature, philosophy and visual art," Eakin writes, "Murray decided that unbaised global inventories were not feasible: the references works were too skewed toward their national traditions. So he created separate indexes by culture instead."

But if you think the scientific list is peculiar, perhaps not so much in makeup as in sequence, the list for the giants of Western literature will amaze you. Shakespeare comes out first, no surprise. But Goethe ranks second, ahead of Dante (third), Virgil (fourth) and Homer (fifth). There is no Cervantes, no Saint Augustine and no Saint Thomas Aquinas, to whose humanist influence on Christianity Murray himself attributes Western dominance.

Any listing like this is bound to be questioned. But when it lays claim to qualitative accuracy based on a statistical method open to doubt -- Eakins quotes several historians and scholars on its biases and value judgments -- it seems a fool's errand.

Murray's top 20 literary giants include Petrarch, but no Plato or Lucretius; Euripedes, but no Aeschylus or Sophocles and no Aristophanes; Byron, but no Wordsworth or Keats, and no Chaucer or Milton; it includes Rousseau, Voltaire, Moliere, Racine and Victor Hugo, but not Montaigne, Balzac, Baudelaire, Stendahl, Flaubert or Proust; Sir Walter Scott but not Jonathan Swift or Jane Austen; Virgil and Horace but not Ovid.

Schiller makes the list but not Freud or Thomas Mann; Boccaccio make the list along with Tolstoy and Dostoevsky; but there's no Pushkin; Ibsen makes the list but not Chekov; there's no Kierkegaard or Nietzsche, Orwell or Joyce, Twain or Faulkner. And what of Yeats or Blake? Not there.

October 26, 2003 2:22 AM |

Categories:

Me Elsewhere

'WILD SIDE' STILL ROCKS 

Nelson Algren was one of the great American authors of the 20th century, it is no exaggeration to say, and among the most neglected. Consider his underrated classic, "A Walk on the Wild Side." The title -- popularized and co-opted as an idiomatic phrase by Hollywood and Madison Avenue (institutions Algren loathed) -- is familiar to most anyone who speaks English or knows Lou Reed's lyrics. But the novel itself? Hardly.

BUSTER KEATON REVISITED 
Buster Keaton: Tempest in a Flat Hat is not a biography. "This book is merely a fan's notes," Edward McPherson writes in the introduction, although his publisher ignores the disclaimer and calls it a biography on the cover. In fact, the book is a bit of both, a difficult combination to bring off unless you're David Thomson, who set the standard with Rosebud, his penetrating rumination on the life and career of Orson Welles, which was nothing if not a distillation of every obsessive thought he ever had about the myth and the man and all his movies.
LAUREN BACALL, STILL SALTY AT 80 
When Lauren Bacall writes that her singing voice ranges "somewhere between B minus sharp and outer space," she's being candid and funny. It's not every stage star with two Tony Awards for best actress in a musical whose vocal talent offers so little promise. (OK, Harvey Fierstein excepted.) Still less would one admit it.
THE STARS ACCORDING TO BOGDANOVICH 
Peter Bogdanovich's superb collection of movie-star profiles and interviews -- a sequel to Who the Devil Made It, his interviews of top film directors -- begins with an affectionate tale about Orson Welles that reminds us just how intimate the author's connection to Hollywood's greatest has been. But contrary to what we've come to expect from dime-a-dozen celebrities and celebrity interviews not worth two cents, the tale avoids bromidic egotism and journalistic platitudes.
SAMMY'S WHITE DREAMS 
Four decades ago Lenny Bruce sentenced Sammy Davis Jr. to "30 years in Biloxi," stripping him of "his Jewish star" and "his religious statue of Elizabeth Taylor." Now we have two new biographies of Davis that spring him from ridicule, if not from doubts about his legacy, and restore a measure of dignity to a black entertainer whose huge fame and success never overcame his devout wish -- indeed his lifelong effort -- to be white.
more picks

Sites to See

About this Entry

This page contains a single entry by CriticalMASS published on October 26, 2003 2:22 AM.

SIZING THEM UP was the previous entry in this blog.

ONCE AROUND THE BLOCK is the next entry in this blog.

Find recent content on the main index or look in the archives to find all content.

Creative Commons License
This weblog is licensed under a Creative Commons License.