THUGS IN THE WHITE HOUSE

I guess I don't have to read Paul Krugman's new book, "The Great Unraveling," a selection of his op-ed columns, to know what he's been writing. I've read him faithfully ever since his column began, and a morning doesn't go by when I don't wish he wrote daily instead of just twice a week.

If his column had appeared daily I doubt that I would have anticipated him yesterday, on the second anniversary of 9/11, when I cited a story in the Washington Post and wrote: < FONT color=#003399>"The nation mourns. Gee Dubya Shrub exploits." Today, Krugman cites the same story for a column headlined "Exploiting The Atrocity." (Free registration required.) But he goes on to say a few more things worth noting:

  • "It's almost certainly wrong to think that the political exploitation of 9/11 and, more broadly, the administration's campaign to label critics unpatriotic are past their peak."
  • Bush "could have governed as the uniter he claimed to be ... [but his] advisers were greedy" and "[n]ow [that] it has all gone wrong," the Bushies are again resorting to thuggish behavior. Krugman puts it euphemistically: They can't "simply lose like gentlemen," he writes. "For one thing, that's not how they operate." (Remember their style during ballot-counting in Florida?)
  • For another they have to save their hides. "Everything suggests that there are major scandals -- involving energy policy, environmental policy, Iraq contracts and cooked intelligence -- that would burst into the light of day if the current management lost its grip on power. So these people must win, at any cost."
  • Consequently, "if you thought the last two years were bad, just wait: it's about to get worse. A lot worse."

Against this, what have the Democrats got? Howard Dean? John Kerry?? Al Sharpton??? The American Civil Liberties Union???? And now some celebrities with (ahem) clout, who are willing to criticize Bush in an ACLU ad campaign? (Free registration required.)

So it's Richard Dreyfuss and Kristin Davis (who plays Charlotte in "Sex and the City"), Martin Sheen and Kurt Vonnegut, Samuel L. Jackson and Al Pacino, and let's not forget singer Michael Stipe of R.E.M. or Sheryl Crow, vs. the thugs???? Oh, mama. As the editor of National Review told The New York Times: Celebrities "obviously have a right to speak their minds and a right to be morons, and they usually exercise both." How do you defend against quips like that?

September 12, 2003 11:57 AM |

Categories:

Me Elsewhere

'WILD SIDE' STILL ROCKS 

Nelson Algren was one of the great American authors of the 20th century, it is no exaggeration to say, and among the most neglected. Consider his underrated classic, "A Walk on the Wild Side." The title -- popularized and co-opted as an idiomatic phrase by Hollywood and Madison Avenue (institutions Algren loathed) -- is familiar to most anyone who speaks English or knows Lou Reed's lyrics. But the novel itself? Hardly.

BUSTER KEATON REVISITED 
Buster Keaton: Tempest in a Flat Hat is not a biography. "This book is merely a fan's notes," Edward McPherson writes in the introduction, although his publisher ignores the disclaimer and calls it a biography on the cover. In fact, the book is a bit of both, a difficult combination to bring off unless you're David Thomson, who set the standard with Rosebud, his penetrating rumination on the life and career of Orson Welles, which was nothing if not a distillation of every obsessive thought he ever had about the myth and the man and all his movies.
LAUREN BACALL, STILL SALTY AT 80 
When Lauren Bacall writes that her singing voice ranges "somewhere between B minus sharp and outer space," she's being candid and funny. It's not every stage star with two Tony Awards for best actress in a musical whose vocal talent offers so little promise. (OK, Harvey Fierstein excepted.) Still less would one admit it.
THE STARS ACCORDING TO BOGDANOVICH 
Peter Bogdanovich's superb collection of movie-star profiles and interviews -- a sequel to Who the Devil Made It, his interviews of top film directors -- begins with an affectionate tale about Orson Welles that reminds us just how intimate the author's connection to Hollywood's greatest has been. But contrary to what we've come to expect from dime-a-dozen celebrities and celebrity interviews not worth two cents, the tale avoids bromidic egotism and journalistic platitudes.
SAMMY'S WHITE DREAMS 
Four decades ago Lenny Bruce sentenced Sammy Davis Jr. to "30 years in Biloxi," stripping him of "his Jewish star" and "his religious statue of Elizabeth Taylor." Now we have two new biographies of Davis that spring him from ridicule, if not from doubts about his legacy, and restore a measure of dignity to a black entertainer whose huge fame and success never overcame his devout wish -- indeed his lifelong effort -- to be white.
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