BRESLIN'S TAKE

With the second anniversary of 9/11 almost upon us, we're about to be inundated again by television documentaries on the World Trade Center, the attacks on it and the Pentagon, and even by a fictionalized replay of those events -- although public officials and the news media have made less extensive plans to mark the anniversary than last year.

I may be no one to talk, having done my share of 9/11 stories: A deadline report on the day of the attacks, another on the day after, a week later when the New York Stock Exchange reopened, and yet again on the first anniversary of 9/11. But here's the TV deluge anyway:

Amid all this, perhaps we should keep in mind Jimmy Breslin's single-minded, little-publicized columns about not making martyrs of those who died at Ground Zero. Breslin argues against memorializing their deaths more than we do others who have died under ordinary circumstances. He wrote on Friday in Newsday:

[N]obody ... has exclusive ownership for memorials and the like. Since the attack, some 140,000 New Yorkers have died. ... It happened to be pretty tragic for their loved ones, too. If we have a memorial for some people, then we should have one for all.

Breslin, ever the contrarian, has been arguing for a long time against turning Ground Zero into a glorified cemetery. It's not a popular position to take. Neither is his position on future skyscrapers at Ground Zero. He sees no virtue in them because he believes they'll be flattened again. He thinks their reconstruction is a symbol of overweaning pride. Breslin has always been wary of hubris. It's one of the lessons of his streetwise education -- and he keeps reminding us that it's a lesson worth remembering, especially for those in power far above the streets.

It's not that he fails to sympathize with the families of the WTC victims. His columns have told many of their stories. Just a week ago he wrote about a mother's desperate fight for the transcripts and tapes that recorded the last words of a daughter who died on the 106th floor of the north tower.

He has criticized what he regards as empty ceremonies that do not help the grieving families and poured contempt on Rudolph Giuliani, whom he regards as a self-aggrandizing phony: "Mention the World Trade Center to Giuliani and to him that means I, me, my catastrophe, my site, my workers, my fund, my all of it." And he has railed against the lies of the Bush administration and the Environmental Protection Agency, when they assured the public it was safe to breathe air at Ground Zero in the aftermath of the attack.
 
Further, Breslin wrote about another building's collapse, a whole book in fact: "The Short Sweet Dream of Eduardo GutiĆ©rrez." (Free registration required.) In it he memorializes a 21-year-old illegal Mexican immigrant day laborer whose death on a construction site in Brooklyn was caused not by terrorists but by the more common causes of building-code violations, corruption and greed. This is a death that implicates all of us in a tragic betrayal of America's promise, Breslin warrants, and it's no less notable than 3,016 murders by terrorists. Is he right? Make up your own mind. But Breslin has me wondering.

FROM THE MAILBAG

Straight Up reader Shane Hockin writes that he agrees with much of what Jimmy Breslin has to say about George Bush ("I agree with anyone who says he's a liar"), rebuilding skyscrapers at Ground Zero ("They should include big red targets on them to make them look appropriate") and Rudolph Giuliani ("To hear him talk you'd think he'd personally escaped the towers and carried thousands of people on his back to safety").

"But I totally disagree with Mr. Breslin's stance on the memorial," Hockin continues. "There is so much more to it than just honoring the victims and their families. This is an event that we need to remember, because it had a major impact on every single person in the country, and that impact will be felt for a long time. The memorial in no way slights everyone who has died in New York, as Mr. Breslin seems to insinuate. That is ridiculous.

"The fact of the matter is you can't erect a big memorial for every single person who dies, but you can for a group that symbolizes something that is a major part of our recent history. Besides, almost everyone else who dies under ordinary circumstances gets a memorial from their family. So I guess I just don't get his argument. I understand the protest against building towers and such, but being anti-memorial does not make any sense to me."

MORE  FROM THE MAILBAG

This e-mail comes from a Straight Up reader who prefers to remain anonymous:

"I say BRAVO, Jimmy Breslin!!! I was across the street from the Pentagon on Sept. 11, 2001 and witnessed a jetliner traveling at ground level down Columbia Pike toward the Pentagon. I'll never forget the day -- the smoke-filled air, the smell of burning diesel and charred flesh, people screaming and crying.  Confusion and chaos.  A horrible tragedy ...

"There were many acts of courage and heroism that day. The firefighters and police were awesomely brave in their dedication to helping, at terrible risk to their own lives, those in trouble. ... As a nation, we should honor them for their astounding courage. ... But were those who died martyrs? I kinda think they'd be the first to tell you they were doing what they were trained to do and what their hearts directed them to do. No one intended to die on that horrible day, their intentions were to save life, not sacrifice it.

"Another example:  I'm very happy Jessica Lynch made it home. But let's face it, she probably wasn't the bravest soldier in the conflict, she was simply someone in a terrible circumstance with a newsworthy story. Perhaps we delude ourselves into believing that if Jessica Lynch could be saved then maybe all those innocent kids dying in a strange place so far away from home could somehow be restored to us as well. But if Jessica is a hero, then every single soldier in Iraq is a national hero. Why don't we hear their stories, too?

"Sometimes, people find themselves in bad places in bad times, but this in and of itself does not make one a hero or martyr. It's as if simply being human makes us heroic these days. I don't have a problem with 9/11 remembrances so long as we use it as an opportunity for healing and not as a platform to further anyone's political agenda or help someone become famous for inappropriate reasons."

September 7, 2003 11:33 AM |

Categories:

Me Elsewhere

'WILD SIDE' STILL ROCKS 

Nelson Algren was one of the great American authors of the 20th century, it is no exaggeration to say, and among the most neglected. Consider his underrated classic, "A Walk on the Wild Side." The title -- popularized and co-opted as an idiomatic phrase by Hollywood and Madison Avenue (institutions Algren loathed) -- is familiar to most anyone who speaks English or knows Lou Reed's lyrics. But the novel itself? Hardly.

BUSTER KEATON REVISITED 
Buster Keaton: Tempest in a Flat Hat is not a biography. "This book is merely a fan's notes," Edward McPherson writes in the introduction, although his publisher ignores the disclaimer and calls it a biography on the cover. In fact, the book is a bit of both, a difficult combination to bring off unless you're David Thomson, who set the standard with Rosebud, his penetrating rumination on the life and career of Orson Welles, which was nothing if not a distillation of every obsessive thought he ever had about the myth and the man and all his movies.
LAUREN BACALL, STILL SALTY AT 80 
When Lauren Bacall writes that her singing voice ranges "somewhere between B minus sharp and outer space," she's being candid and funny. It's not every stage star with two Tony Awards for best actress in a musical whose vocal talent offers so little promise. (OK, Harvey Fierstein excepted.) Still less would one admit it.
THE STARS ACCORDING TO BOGDANOVICH 
Peter Bogdanovich's superb collection of movie-star profiles and interviews -- a sequel to Who the Devil Made It, his interviews of top film directors -- begins with an affectionate tale about Orson Welles that reminds us just how intimate the author's connection to Hollywood's greatest has been. But contrary to what we've come to expect from dime-a-dozen celebrities and celebrity interviews not worth two cents, the tale avoids bromidic egotism and journalistic platitudes.
SAMMY'S WHITE DREAMS 
Four decades ago Lenny Bruce sentenced Sammy Davis Jr. to "30 years in Biloxi," stripping him of "his Jewish star" and "his religious statue of Elizabeth Taylor." Now we have two new biographies of Davis that spring him from ridicule, if not from doubts about his legacy, and restore a measure of dignity to a black entertainer whose huge fame and success never overcame his devout wish -- indeed his lifelong effort -- to be white.
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