'AGAINST COLLECTIVE AMNESIA'

In a world bent on destruction, preservationists have fought to save everything from the wilderness and natural resources to linguistic and cultural heritages.

Artistically, the "early music" movement for historically informed performance of works from the Medieval, Rennaisance and Baroque periods is probably the best-known example of the preservationist ethic. It also has a counterpart in the theater: The British troupe Shakespeare's Globe Theatre, London, which is about to launch a 5-city, U.S. tour of "Twelfth Night (or What You Will)," explores "original practices" from the early 1600s: an all-male, cross-dressing cast, handmade Elizabethan clothes, music performed on period instruments, and faithful recreations of Elizabethan props.

But no organization, perhaps not even the World Wildlife Fund, is as devoted to preservation as UNESCO's Memory of the World Programme. Its stated intention -- "to guard against collective amnesia" -- has to be the hippest official mandate of any world body. By seeking out and registering archival holdings of historic documents and library collections, the program (and the broader idea of documentary heritage itself) "is the mirror of the world and its memory."

So what kind of stuff has made it into the Memory of the World Register? Stuff like this:

The original manuscript of Beethoven's Ninth Symphony; 1,300 works on astronomy (in Turkish, Persian and Arabic) held in the Library of Kandilli Observatory and Earthquake Research Institute at Bogazici University in Istanbul; an inventory of postcards from Africa covering the years 1890-1930; archives of the Warsaw Ghetto; a Uzbekistan collection of Oriental miniatures of the Middle East from the 14th to 17th centuries; a Colombian exhibition of "100 years of photography"; Copernicus' autobiography "De revolutionibus libri sex," from 1520 or so. 

Here are some previously nominated items from China, from Finland, and from the United States. As of this month, UNESCO is planning to add 23 more documentary collections from 20 countries, among them:

From France: The original Declaration of the Rights of Man and of the Citizen of 1789-1791. It's preserved at National Historical Archives Center in Paris. There are actually six versions. The one included in the Register is the first, dated Nov. 3, 1789, along with a signed note and letters patent by King Louis XVI approving the text of the Declaration and various decrees adopted by the National Assembly between August and November of that year.

From Barbados: The Documentary Heritage of Enslaved Peoples of the Caribbean. This is a unique body of evidence, including legal documents, plantation ledgers, estate and shipping inventories, rare books, original prints and paintings, relating to the lives of enslaved Caribbean people through the 17th, 18th and 19th centuries, preserved by the Barbados Museum & Historical Society.

From Chile: The Human Rights Archive of Chile. Originating from several collections, it includes material from human rights organizations active during the military dictatorship (1973 to 1989), notably press clippings about human rights abuses from 1974 to 1990, (arrests, political executions, banishments, torture and disappearances), and an important photo register of nearly 1,000 of the people who disappeared during the dictatorship.

From Germany: Illuminated manuscripts from the Ottonian period produced in the monastery of Reichenau (Lake Constance) for Emperor Otto III (983-1002) and for his successor Heinrich II (1002-1024). This dispersed set of 10 manuscripts, which survived the upheavals of an entire millennium, epitomizes book illustration of the Ottonian period in Germany.

From Luxembourg: The "Family of Man" photographic exhibition mounted by the photographer Edward J. Steichen in 1955 for the New York Museum of Modern Art (MoMA). It was donated by the U.S. government to the Grand Duchy of Luxembourg and is preserved in the Clervaux Museum.

From Mexico: The original cellulose nitrate negative of the 1950 film "Los olvidados," released in English as "The Young and the Damned," directed by Spanish-Mexican director Luis Bunuel. It had been lost for 20 years and is now preserved in Mexico City, in the vaults of Filmoteca of the National Autonomous University of Mexico.

From the Netherlands: The archives of the Dutch East India Company. Founded in 1602, the Dutch East India Company was the largest of the early modern European trading companies operating in Asia. Between 1602 and 1796, the company sent almost a million Europeans to work in the Asia trade on 4,785 ships, and netted for their efforts more than 2.5 million tons of Asian trade goods. The archive has 25 million pages of records about political, economic, cultural, religious and social circumstances produced by company officials who were stationed in outposts on the trade routes.

From Poland: The 21 Demands, which documents the birth of the Solidarity trade union. These political demands, made by the Strike Committee in August 1980, in Gdansk, led to the creation of Solidarity -- the first free trade union within the Communist bloc -- and marked a watershed in the history of the Communist bloc.

There's also a separate World Heritage List. Isn't it nice to know the United States has resumed paying its fair share of contributions to UNESCO?

September 10, 2003 10:56 AM |

Categories:

Me Elsewhere

'WILD SIDE' STILL ROCKS 

Nelson Algren was one of the great American authors of the 20th century, it is no exaggeration to say, and among the most neglected. Consider his underrated classic, "A Walk on the Wild Side." The title -- popularized and co-opted as an idiomatic phrase by Hollywood and Madison Avenue (institutions Algren loathed) -- is familiar to most anyone who speaks English or knows Lou Reed's lyrics. But the novel itself? Hardly.

BUSTER KEATON REVISITED 
Buster Keaton: Tempest in a Flat Hat is not a biography. "This book is merely a fan's notes," Edward McPherson writes in the introduction, although his publisher ignores the disclaimer and calls it a biography on the cover. In fact, the book is a bit of both, a difficult combination to bring off unless you're David Thomson, who set the standard with Rosebud, his penetrating rumination on the life and career of Orson Welles, which was nothing if not a distillation of every obsessive thought he ever had about the myth and the man and all his movies.
LAUREN BACALL, STILL SALTY AT 80 
When Lauren Bacall writes that her singing voice ranges "somewhere between B minus sharp and outer space," she's being candid and funny. It's not every stage star with two Tony Awards for best actress in a musical whose vocal talent offers so little promise. (OK, Harvey Fierstein excepted.) Still less would one admit it.
THE STARS ACCORDING TO BOGDANOVICH 
Peter Bogdanovich's superb collection of movie-star profiles and interviews -- a sequel to Who the Devil Made It, his interviews of top film directors -- begins with an affectionate tale about Orson Welles that reminds us just how intimate the author's connection to Hollywood's greatest has been. But contrary to what we've come to expect from dime-a-dozen celebrities and celebrity interviews not worth two cents, the tale avoids bromidic egotism and journalistic platitudes.
SAMMY'S WHITE DREAMS 
Four decades ago Lenny Bruce sentenced Sammy Davis Jr. to "30 years in Biloxi," stripping him of "his Jewish star" and "his religious statue of Elizabeth Taylor." Now we have two new biographies of Davis that spring him from ridicule, if not from doubts about his legacy, and restore a measure of dignity to a black entertainer whose huge fame and success never overcame his devout wish -- indeed his lifelong effort -- to be white.
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