PIMP-A-LICIOUS ...

It's time for the Labor Day Weekend. But don't leave just yet. In a minute-by-minute rundown of last night's ultraslick, ultraridiculous, ultra-important MTV Video Music Awards, Ryan McGee has again demonstrated his encyclopedic knowledge of, and appropriately cynical attitude to, the kulcha of pop.

His real-time review, a race "against the clock and Meta Carpal Syndrome," is a circus feat that you might think lowfalutin stuff. But I hope you notice the astute references -- clever, intricate, some more arcane than others, but all apt and insightful. It's a summa cum laude display of essential knowledge for anyone who wants to understand America, dude.
 
Fortified by a "super-sized Double Quarter Pounder" from McDonald's and "the 460-ounce cup that comes with it" (apparently for his bottle of Bacardi), McGee settled in for the show and, like a true fan, the pre-show. Here are some selected highlights:

EXCERPTS FROM THE PRE-SHOW REVIEW

6:56 pm: Sweet Mary Mother of God. Christina Aguilera killed the flamingos from "Fantasia 2000" and is wearing their skins. That ain't right.

7:14 pm: Kim Cattrall is inexplicably in this Eminem/50 Cent montage. She's like, the hottest 84-year-old ever. I can't even believe she's the girl in "Mannequin." That came out in 1926, I think.

7:20 pm: Does anyone know who actually nominates and/or votes on these awards? My theory is that MTV just goes out to an Arby's at like 3 am and finds a few drunk people. It makes as much sense as any other theory.

7:45 pm: OK, this can't be topped. John Norris just called Ludacris "Luda" without being ironic and asked him "how many G's" his coat set him back. OK, John, enough's enough. Isn't this why we have Homeland Security? To take out people who are harmful to my way of life? If John Norris has a job next year, then the terrorists have already won.

EXCERPTS FROM THE SHOW REVIEW

8:00 pm: They've recreated the original set for Madonna's 1984 "Like a Virgin" performance. A veiled woman appears atop the cake. Lessee ... amazingly off-key voice, sounds a bit like she's out of breath already ... hey, it's Britney Spears. She doesn't even have to take the veil off for me to know that.

8:02 pm: She's joined onstage by Christina Aguilera. Yes, these two are singing "Like a Virgin." The entire country shouts at their television: "How the HELL would you know?"

8:03 pm: Madonna appears. Furthering understanding and smashing stereotypes, the cameras cut immediately to the cast of "Queer Eye." I'm watching Jai's temple burst from excitement on live television.

8:04 pm: So let me get this straight: Madonna co-opted these two girls, put them in skanky wedding dresses, and then MAKES OUT with them? Whew. For a second I thought Madonna was doing all this as a desperate attempt at relevance, clinging to her last 5 minutes of fame like a wounded tiger, but I was wrong.

8:05 pm: History may shed light on what Missy was doing out there, but personally, I'm at a loss.

8:06 pm: Well, that was weird. Kinda like MTV's version of "The Balcony."

MOVING RIGHT ALONG

8:21 pm: Missy Elliot's "Work It" wins. Excellent. It's good to see proper recognition for a song that deals with one of the most pressing problems today: the economy. Missy's cry for job creation and economic stimulus packages is to be commended. What? It's not about that? What is it about? Oh. Um. Nevermind then.

8:41 pm: More awards that were announced during the pre-show: "Best Use of An Artist Currently in Prison," "Best Jailbait Video," and "The Only Five Songs in Rotation Not Produced by Timbaland or The Neptunes."

8:49 pm: Wait, Christina AGAIN? Didn't we already fulfill our community service requirement during the first number? ...

9:10 pm: P. Diddy wants us to pay respect to the memory of Barry White and Gregory Hines. He also announces that his next single will feature Barry White singing over Hines' tapdancing featuring a special verse from Notorious B.I.G. and a guitar solo from Robert Johnson.

9:18 pm: Whoa. Watching 50 Cent try to make an acceptance speech is a little like watching a 2nd grader freeze up in his/her first school play. Only the 2nd grader in this case is completely high.

THERE'S MORE

9:21 pm: We're nearly 90 minutes into the show, and no Enrique sightings yet. So far, so good.

9:50 pm: OK, I'm just gonna say this and move on: Jack Black is the guy that everyone pretended Chris Farley was. Man's just amazing. Can't wait for "The School of Rock." I'd pay $10 to watch this guy read the phone book.

9:51 pm: If you can watch the video for "Seven Nation Army" and not vomit, you're got a better stomach than I do.

9:53 pm: Linkin Park stuns the crowd and wins "Best Rock Video." Stuns them because everyone appears to have assumed they had already disbanded. (My only guess here is that the same demographic that eats at Arby's also likes Linkin Park.) Our attention spans are so short that MTV has planned to do the intro number as the closing one and is counting on no one noticing.

10:00 pm: Duran Duran, Kelly Osbourne, and Avril Lavinge. Or, as I like to call them, "The Supergroup That Nobody Asked For, Nobody Wants, and Really, It Would Make Most People More Comfortable If You Just Left Quickly."

WE'RE ALMOST HOME

10:35 pm: Beyonce accidentally has wandered into a bad college modern dance piece and is now surrounded by a bunch of dudes who are covered head to toe in black. More than a bit odd. Next up: girls dancing around in pillowcases, just watch.

10:37 pm: So, lemmee get this straight: They bleep out the word "blunt" but do a loving, up-close-and-personal, 25-girl, ass-shaking pan with the camera, so close I know what kind of wax they got this morning? American morals, people. They're faaaaaaaaaantastic.

10:45 pm: Anyone else think that Britney Spears and Madonna have just been making out backstage for the last 3 hours, hoping someone would notice? Just me then? OK.

11:01 pm: Metallica just played 30-second instrumental versions of Lenny Kravitz's "Are You Gonna Go My Way?," Nirvana's "Smells Like Teen Spirit," The White Stripes' "Seven Nation Army," and Michael Jackson's "Beat It." I don't even need to put a joke here, do I? Like shooting fish in a barrel.

Well, it was a long show, and that's not the half of it. He watched it all, so we didn't have to. Let's give it up for a man with an iron constitution and a mind of steel. 

August 29, 2003 9:40 AM |

Categories:

Me Elsewhere

'WILD SIDE' STILL ROCKS 

Nelson Algren was one of the great American authors of the 20th century, it is no exaggeration to say, and among the most neglected. Consider his underrated classic, "A Walk on the Wild Side." The title -- popularized and co-opted as an idiomatic phrase by Hollywood and Madison Avenue (institutions Algren loathed) -- is familiar to most anyone who speaks English or knows Lou Reed's lyrics. But the novel itself? Hardly.

BUSTER KEATON REVISITED 
Buster Keaton: Tempest in a Flat Hat is not a biography. "This book is merely a fan's notes," Edward McPherson writes in the introduction, although his publisher ignores the disclaimer and calls it a biography on the cover. In fact, the book is a bit of both, a difficult combination to bring off unless you're David Thomson, who set the standard with Rosebud, his penetrating rumination on the life and career of Orson Welles, which was nothing if not a distillation of every obsessive thought he ever had about the myth and the man and all his movies.
LAUREN BACALL, STILL SALTY AT 80 
When Lauren Bacall writes that her singing voice ranges "somewhere between B minus sharp and outer space," she's being candid and funny. It's not every stage star with two Tony Awards for best actress in a musical whose vocal talent offers so little promise. (OK, Harvey Fierstein excepted.) Still less would one admit it.
THE STARS ACCORDING TO BOGDANOVICH 
Peter Bogdanovich's superb collection of movie-star profiles and interviews -- a sequel to Who the Devil Made It, his interviews of top film directors -- begins with an affectionate tale about Orson Welles that reminds us just how intimate the author's connection to Hollywood's greatest has been. But contrary to what we've come to expect from dime-a-dozen celebrities and celebrity interviews not worth two cents, the tale avoids bromidic egotism and journalistic platitudes.
HERMAN WOUK'S LATEST 
It's hard to say which comes off worse in Herman Wouk's latest novel, his first in a decade: the U.S. Congress or the American press. "A Hole in Texas" offers the choice between two emblematic stereotypes: a red-faced opportunist who heads the House Armed Services Committee and a mustachioed investigative reporter for the Washington Post.
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