BAGHDAD-ON-THE-HUDSON

New Yorkers got a taste of what William Sydney Porter meant when he called their town Baghdad-on-the-Hudson. "There's more poetry in a block of New York," said Porter, otherwise known as O. Henry, "than in 20 daisied lanes." Last night during the great Northeastern blackout of '03, he could have said "than in all the lights of the city." 

If the city's friendliness under duress wasn't poetry, it was something like it. People who rarely talked to each other before sat on their front stoops chatting by candlelight. It could have been the turn of the 20th century. Let's make an annual holiday of it. Keep the electricity running, but set aside one day of the year to turn off the lights across North America.

Postscript: ABC did not air last night's scheduled Rwanda segment about Fredrick. I don't know whether the blackout was the reason. That would be a good guess, though. I'll let you know when the segment is re-scheduled. If you were able to tune in and were disappointed, I'd say, "Sorry for the inconvenience." But given the circumstances, inconvenience sounds ridiculous.

August 15, 2003 11:09 AM |

Categories:

Me Elsewhere

'WILD SIDE' STILL ROCKS 

Nelson Algren was one of the great American authors of the 20th century, it is no exaggeration to say, and among the most neglected. Consider his underrated classic, "A Walk on the Wild Side." The title -- popularized and co-opted as an idiomatic phrase by Hollywood and Madison Avenue (institutions Algren loathed) -- is familiar to most anyone who speaks English or knows Lou Reed's lyrics. But the novel itself? Hardly.

BUSTER KEATON REVISITED 
Buster Keaton: Tempest in a Flat Hat is not a biography. "This book is merely a fan's notes," Edward McPherson writes in the introduction, although his publisher ignores the disclaimer and calls it a biography on the cover. In fact, the book is a bit of both, a difficult combination to bring off unless you're David Thomson, who set the standard with Rosebud, his penetrating rumination on the life and career of Orson Welles, which was nothing if not a distillation of every obsessive thought he ever had about the myth and the man and all his movies.
LAUREN BACALL, STILL SALTY AT 80 
When Lauren Bacall writes that her singing voice ranges "somewhere between B minus sharp and outer space," she's being candid and funny. It's not every stage star with two Tony Awards for best actress in a musical whose vocal talent offers so little promise. (OK, Harvey Fierstein excepted.) Still less would one admit it.
THE STARS ACCORDING TO BOGDANOVICH 
Peter Bogdanovich's superb collection of movie-star profiles and interviews -- a sequel to Who the Devil Made It, his interviews of top film directors -- begins with an affectionate tale about Orson Welles that reminds us just how intimate the author's connection to Hollywood's greatest has been. But contrary to what we've come to expect from dime-a-dozen celebrities and celebrity interviews not worth two cents, the tale avoids bromidic egotism and journalistic platitudes.
HERMAN WOUK'S LATEST 
It's hard to say which comes off worse in Herman Wouk's latest novel, his first in a decade: the U.S. Congress or the American press. "A Hole in Texas" offers the choice between two emblematic stereotypes: a red-faced opportunist who heads the House Armed Services Committee and a mustachioed investigative reporter for the Washington Post.
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