Speaking (not just) for yourself

51UxVZ-0OjL._SS500_.jpg

It seemed for a long time poets should only write from their point of view. Otherwise, you run the risk of some kind of liberal-political-multicultural offense. Because in speaking for the Other, you risked appearing to oppress the Other. The result was a kind of poetic narcissism. This is a broad outline that surely over reaches in trying to explain what poets have felt over two decades. But its merits are worth considering, as I did in my conversation with poet Jennifer Moxley, author of the new volume Clampdown. Here’s a snip.



Walt Whitman was large, contained multitudes and contradicted himself. By the 1960s, few American poets did what he did. The universal subject (“I”) was considered a vestige of an old imperial power structure, so Whitman’s “I” was no longer democratic and egalitarian but instead a symbol of white dominance in an oppressive culture. Perhaps the only redemption for Whitman came from new evidence suggesting he was gay.

Too simple? Sure, but that’s more or less what happened, says poet Jennifer Moxley.

You had to write from your particular social marker and not beyond that,” says the University of Maine English professor in a phone interview. “The 1960s saw poetry emerge from identity politics and from politics put into lifestyle choices.”

She now specializes in those social markers, teaching classes in gay and lesbian literature, feminist literary theory and women’s studies. She’s found her own way in volumes of poetry like her latest, Clampdown. In it, one can sense the poet pushing back against a kind of sealed off and self-referential thinking.

“Life is untenable without a universal subject,” says Moxley. “At some point, we fracture into shards of self-interest. There’s no reason I should write and read about only things related to me — a white woman from California. You want to grow and change and take risks. Otherwise, your life is the only life. That’s not good. It should be a political thing.”

Full story at the New Haven Advocate

May 9, 2009 9:20 AM | | Comments (0)

Categories:

Leave a comment

Blogroll

About this Entry

This page contains a single entry by FlyOver published on May 9, 2009 9:20 AM.

Head of Charleston Symphony Orchestra quits was the previous entry in this blog.

Rarity: A new American play premiered in a small American town is the next entry in this blog.

Find recent content on the main index or look in the archives to find all content.

AJ Ads



AJ Blogs

AJBlogCentral | rss

culture
About Last Night
Terry Teachout on the arts in New York City
Artful Manager
Andrew Taylor on the business of arts & culture
blog riley
rock culture approximately
critical difference
Laura Collins-Hughes on arts, culture and coverage
Dewey21C
Richard Kessler on arts education
diacritical
Douglas McLennan's blog
Dog Days
Dalouge Smith advocates for the Arts
Flyover
Art from the American Outback
Life's a Pitch
For immediate release: the arts are marketable
Mind the Gap
No genre is the new genre
Performance Monkey
David Jays on theatre and dance
Plain English
Paul Levy measures the Angles
Real Clear Arts
Judith H. Dobrzynski on Culture
Rockwell Matters
John Rockwell on the arts
Straight Up |
Jan Herman - arts, media & culture with 'tude

dance
Foot in Mouth
Apollinaire Scherr talks about dance
Seeing Things
Tobi Tobias on dance et al...

jazz
Jazz Beyond Jazz
Howard Mandel's freelance Urban Improvisation
ListenGood
Focus on New Orleans. Jazz and Other Sounds
Rifftides
Doug Ramsey on Jazz and other matters...

media
Out There
Jeff Weinstein's Cultural Mixology
Serious Popcorn
Martha Bayles on Film...

classical music
Creative Destruction
Fresh ideas on building arts communities
The Future of Classical Music?
Greg Sandow performs a book-in-progress
On the Record
Exploring Orchestras w/ Henry Fogel
Overflow
Harvey Sachs on music, and various digressions
PianoMorphosis
Bruce Brubaker on all things Piano
PostClassic
Kyle Gann on music after the fact
Sandow
Greg Sandow on the future of Classical Music
Slipped Disc
Norman Lebrecht on Shifting Sound Worlds

publishing
book/daddy
Jerome Weeks on Books
Quick Study
Scott McLemee on books, ideas & trash-culture ephemera

theatre
Drama Queen
Wendy Rosenfield: covering drama, onstage and off
lies like truth
Chloe Veltman on how culture will save the world

visual
Aesthetic Grounds
Public Art, Public Space
Another Bouncing Ball
Regina Hackett takes her Art To Go
Artopia
John Perreault's art diary
CultureGrrl
Lee Rosenbaum's Cultural Commentary
Modern Art Notes
Tyler Green's modern & contemporary art blog
Creative Commons License
This weblog is licensed under a Creative Commons License.