an blog | AJBlog Central | Contact me | Advertise

When An Artist’s Newest Works Are Her Last. . .

(L to R): Stuart Shugg, Nicholas Strafaccia, Neal Beasely, and Samuel Wentz. Photo: Yi-Chun Wu

On Thursday, January 31, the second day of the Trisha Brown Dance Company’s season at the Brooklyn Academy of Music, it was announced that Brown, because of health problems, had retired as artistic director of the company she founded over forty years ago, and would choreograph no more dances. Consider these words bordered in black—mourning for the works she might have continued to give us. Although many in the BAM audience that night had been expecting just such an announcement, most did not yet know of it. The occasion was festive. The … [Read more...]

Sampling Dance, Bite by Bite

Lil Buck on point. Photo: Erinn Baiano

What’s not to love about Fall for Dance? For $10, you can sit in the pseudo-Moorish splendor of the refurbished City Center Theater and view one of the mixed bills running through November 6. Now’s the time to revisit companies you admire and discover ones you’ve never heard of. And don’t hurry home. Hang out for a while in the atrium running between 55th and 56th Streets that has been transformed into Lounge FFD—a place to drink, snack, and talk with others about what you’ve just seen. It helps if the weather isn’t … [Read more...]

Forty Years of Magical Thinking

Building a Bower: Les Yeux et l'âme. Photo: Deen van Meer

Labels like “ordinary” and “everyday” have often been pasted onto Trisha Brown’s movement, especially when someone is alluding to her early work as a member of the iconoclastic Judson Dance Theater. But when has anything she’s ever made been ordinary? Walking may be ordinary, but getting a dancer (to whom she was married at the time) to walk down the side of a very tall building is not your usual stroll (Man Walking Down the Side of a Building, 1970). Many people have rummage sales, but what choreographer stages one underneath a … [Read more...]

an ArtsJournal blog