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Forever Pina

Damiano Ottavio Bigi (L) and Rainer Behr anchored by Morena Nascimento. Photo: Stephanie Berger

Pina Bausch’s last work, created in the six months before her death in June 2009, takes its title from a line in a song by the Chilean singer Violeta Parra, who committed suicide in 1967. The dance is called . . .como el mosguito en la piedra ay si, si, si. . . . , and the name of the song is Volver a los 17. What is it that makes us feel 17 again?  In the end the song’s refrain, with its evocation of a little patch of moss growing on a stone (and ivy clinging to a wall), reveals its subject. Only love can restore our innocence. This … [Read more...]

A Single Dance in Four Chapters

Shantala Shivalingappa in Ushio Amagatsu's Ibuki. Photo: Laurent Philippe

Shantala Shivalingappa has always been an artistic voyager. Trained in India’s classical Kuchipudi style (first by her mother, Savitry Nair, then by Vempati Chinna Satyam), she danced with an unbridled white horse in Bartabas’s equine spectacle Chimère. She played Ophelia in Peter Brooks’s production of Shakespeare’s Hamlet and Miranda in his The Tempest. She has performed with Pina Bausch’s Tanztheater Wuppertal. In 2010, she collaborated on a duet with choreographer-performer Sidi Larbi Cherkaoui that I wish they would present … [Read more...]

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