Then Plus Now

Setterfield amid the winding procession of photos come to life. Photo: Paula Court

David Gordon is the King of Repetition, and I don’t want to hear any back talk. He manages dance material like someone holding an object up to direct sun, then to a candle flame, setting it against different backgrounds, turning it sideways. “Look at it now. Now look again.” He’s also a master re-arranger—juxtaposing past to present, rehearsal to performance, new to old, life to art. Gordon was … [Read more...]

Seeking Albert

Helga Davis (L) and Kate Moran in Robert Wilson's Einstein on the Beach. Photo: Stephanie Berger

A slender, beautiful black woman, wearing a black, high-necked 19th-century gown, sits motionless in a wooden chair on a stage covered with sand. A stuffed raven perches on her wrist. She sits there for a very long time. The stage is that of the Brooklyn Academy of Music’s Opera House, the women is Sheryl Sutton, it’s 1970, and the image occurs in Robert Wilson’s The Life and Times of Sigmund … [Read more...]

Covering Ground with Cage and Glass

Fenley and Kao fill "100 Vessels."  Photo: Tony Powell

In 2010, Molissa Fenley explored a new path, commissioning a number of artists to design props that could be manipulated by her and two additional dancers. Sometimes the results were striking, sometimes contrived. The newer Credo in Us, shown at Judson Church on January 9, goes way beyond The Prop Dance into a disciplined wildness and playfulness you might not have expected of Fenley—perhaps … [Read more...]