From Denmark to New York

Erica Pereira and Allen Peiffer in Bournonville Divertissements. Photo: Paul Kolnik
Spring Gala
Choreography by: August Bournonville 
Originally staged by Stanley Williams 
Staged by Nilas Martins
New York City Ballet  
Credit Photo: Paul Kolnik
studio@paulkolnik.com
nyc 212-362-7778

The New York City Ballet presents an evening of ballets by August Bournonville. In 1930, the year following the death of Serge Diaghilev and the dissolution of his company, Les Ballets Russes, its dancers and choreographers roamed Europe in search of jobs. After a stint in London, George Balanchine found work in Copenhagen as a guest choreographer for the Royal Danish Ballet, where he set … [Read more...]

Tripartite Triumph

The ‘Rōdē,ō quintet. (L to R): Daniel Applebaum (hidden), Allen Peiffer, Taylor Stanley, Craig Hall, and Andrew Scordato. Photo: Paul Kolnik

Three choreographers shower their talents on New York City Ballet The only perplexing thing about Justin Peck’s new work for the New York City Ballet is its diacritically enriched title: ‘Rōdē,ō: Four Dance Episodes. In every other way, his ballet for a company in which he is both a soloist and its resident choreographer is clear, brilliant, and brave. Brave because he has set his work to … [Read more...]

A Ballerina Moves On

Whelan and Tyler Angle in By Two, With and From, by Christopher Wheeldon and Alexei Ratmansky. Photo: Paul Kolnik

Wendy Whelan retires from the New York City Ballet after thirty fertile years. In 2008, Nikolaj Hübbe was leaving his position as a principal dancer with the New York City Ballet to become the artistic director of the Royal Danish Ballet, where he had gotten his start. At a cocktail reception in his honor thrown at the Danish Consulate, someone asked him which ballerina he would miss … [Read more...]

Two by Two by Two

Tiler Peck and Robert Fairchild in Liam Scarlett's Funérailles. Photo: Paul Kolnik

Three New Ballets premiere at the New York City Ballet's Gala on September 23, 2014 Fashions change more rapidly than dance styles do, so for the New York City Ballet to structure its Fall gala around the theme of “what’s new?” makes a certain marketing sense. The aura of novelty cloaks all. And the green leaves bedecking the balcony overlooking the Lincoln Center Plaza suggested springtime … [Read more...]

Footloose and Fancy Free

L to R: Daniel Ulbricht, Tyler Angle, Robert Fairchild in Jerome Robbins's Fancy Free. Photo: Christopher Duggan

New York City Ballet's Daniel Ulbricht brings a cadre of his peers to Jacob's Pillow Touring with a small pick-up company of colleagues drawn from a major ballet company must be akin to masterminding a working vacation with your pals. What will you need in the way of costumes and sets and, since you won’t be able to carry live musicians along, well-made CDs? What will you need to do to … [Read more...]

Back in ’64, Movin’ On

Maria Kowroski and Robert Fairchild in Everywhere We Go. Photo: Paul Kolnik

The New York City Ballet honors its theater with a gala and a premiere. On April 24, 1964, I wasn’t sitting in one of the red plush seats shown above, cheering New York City Ballet’s inaugural performance in Lincoln Center’s recently completed New York State Theater. However, occupying a seat in that same theater on May 8, 2014, when the company celebrated its 50th anniversary in the … [Read more...]

Jewels in the City’s Crown

Sara Mearns and Jonathan Stafford in Emeralds. Photo: Paul Kolnik

The New York City Ballet performs Balanchine's Jewels. To see George Balanchine’s 1967 Jewels again at its first performance during the New York City Ballet’s winter season is to be delighted all over again. In choreographing its three separate but united ballets, Balanchine absorbed and brilliantly interpreted three diverse musical styles, the threads of narrative and atmosphere that clung … [Read more...]

Dancers on Fire

(L to R) New York City Ballet dancers Andrew Veyette, Taylor Stanley, Brittany Pollack, Ashly Isaacs, and Kristen Segin. Photo: Paul Kolnik

The New York City Ballet puts on a Gala to ignite its Fall Season. Gala performances are strange animals—the bigger the dance company, the more lavish they have to be. Money is spent so that more money may accrue. At the New York City Ballet’s Fall Gala in its Lincoln Center home, designer Bronson van Wyck has hung huge blue-and-white and red-and-white-striped hot air balloons over the … [Read more...]

All American

Tiler Peck and Robert Fairchild in Christopher Wheeldon's A Place for Us. Photo: Paul Kolnik

New York City Ballet, Lincoln Center, April 30 through June 9 In the Spring of 1988, the New York City Ballet put on an American Music Festival. George Balanchine had been dead for five years, and the two Ballet Masters in Chief, Peter Martins and Jerome Robbins, commissioned enough new ballets to keep dancers, guest choreographers, and resident choreographers rushing in and out of the … [Read more...]

See the Music

Peter Ilyitch Tchaikovsky, keeping an eye on his creations

George Balanchine once said that during his grueling years as a pupil in the Imperial St. Petersburg Theatrical School, he didn’t fall in love with ballet until he was twelve. The change occurred the first time he appeared onstage in Marius Petipa’s Sleeping Beauty, set to Peter Ilyitch Tchaikovsky’s ravishing score, and young Georgi Melitonovitch was cast as a Cupid. His arrows, so to speak, … [Read more...]