
Can one refer to someone as a perpetual dark horse, or is that a contradiction? If not, I’d like to apply it to Paul Taylor. You can never predict what he’ll come up with, or what thumbscrews he’ll apply to his essentially buoyant vocabulary of steps. Among the 21 works on view during the Paul Taylor Dance Company’s three-week season at Lincoln Center, some, such as Speaking in Tongues, are big and tormented; others are nightmarish, e.g. Last Look. Some are ineffably tender and mellow like Eventide; others are tart and joke-filled … [Read more...]



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