Collapsing Three to Make a Fourth

David Thomson (L) and Ryan Kelly in Bleed. Photo: Ian Douglas

Tere O'Connor's  Bleed, premiering on BAM's Next Wave Festival,  is built on the bones of three previous works. Writing about Tere O’Connor’s work is always a challenge (he himself does it very well). Watching his marvelous new Bleed in the Brooklyn Academy of Music's Fishman Space is akin to recalling a night of dreaming. In it, as in dreams, events pour into one another, places morph into … [Read more...]

Now You Know It, Now You Don’t

(L to R) Silas Riener, Michael Ingle, and Oisín Monaghan in Tere O'Connor's Poem. Photo: Ian Douglas

Tere O’Connor has been making wonderful, inscrutable dances for 20 years, and every one of them that I can remember stirred my mind around. As I watch his new double bill at New York Live Arts, Secret Mary and Poem, my life passes before me. Delete “my;” I’m experiencing life as dancing—with its beauties, its collisions, its planned meetings, and its daily load of non sequiturs that somehow add … [Read more...]