
The Brooklyn Academy of Music’s Fisher Space in its compact new building is proving to be dazzlingly adaptable. The seating has been configured differently for all four works that I’ve seen there as part of BAM’s 30th Next Wave Festival, and that design, in turn, influences scenic possibilities and alters the audience’s angle of vision and relationship with the performers. Lucy Guerin’s Untrained was designed for a more traditional set-up, so at the Fisher, we sat in twelve long, banked rows at one end of the space, which limited the … [Read more...]


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