
Lincoln Kirstein has written that while the New York State Theater (now the Koch) was under construction, George Balanchine wandered in and saw that the pit would hold no more than 35 musicians. He immediately threatened to withdraw the New York City Ballet as the principal designated tenant. The pit was redesigned to accommodate 70 players. Had Balanchine, to whom music was so important, visited City Center during the Pacific Northwest Ballet’s recent season, he would, I’m sure, have been overjoyed to hear the scores for three of his … [Read more...]



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