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Erotic Geometry

Cristian Laverde König eyes Abby Roesner. Photo: Yi-Chun Wu

When I look closely at a broccoli floret, I don’t ponder fractal geometry; I may marvel at images derived from Fibonacci sequences, but I don’t pretend to understand Walsh functions. Choreographer Karole Armitage might consider me an intellectual wimp. Her Three Theories premiered in 2010 at the World Science Festival. Although Armitage’s new Mechanics of the Dance Machine at New York Live Arts (1/31-2/2 and 2/7-9) attests to her ongoing fascination with physics, you don’t need to see her sources reflected in the choreography in … [Read more...]

Home Is Where The Dance Is

Bringing it Home (Alicia Graf Mann, center). Photo: Paul Kolnik

What do we crave from the thirty dancers who make up the Alvin Ailey American Dance Company? That they be gorgeous, sleek, limber, powerful, virtuosic—sassy when the choreography calls for it, soulful ditto. They do not stint. They can knock dancing into the stratosphere or into our laps. Sometimes they turn the wattage up too high—forgoing subtleties for the highest, the biggest, the baddest, the most heartfelt. Last July, when Judith Jamison retired, Robert Battle took over as artistic director of AAADC. A member of David Parsons’s … [Read more...]

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