
If you happened to read “East to West to East,” my Arts Journal response to Benjamin Millepied’s new company, L.A. Dance Project, soon after I posted it on October 29 (which was shortly before I lost power and connectivity), you will find some small but crucial changes in the early November updates. They occur in my passage about the lighting for the group’s staging of Merce Cunningham’s 1964 Winterbranch. I and a number of others remember a 1965 New York State Theater performance of this radical masterwork in which something that … [Read more...]


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Martha Ullman West on From Tunis to Ithaca
Fascinating, thanks for taking me on this journey with you Deborah.no fee roth ira accounts on Then Plus Now
I constantly spent my half an hour to read this webpage's articles or reviews everyday along with a cup of...TATYANA on All American
Dear Deborah, Great thanks for your warm words of admiration and detailed description of NYCB Gala. It is like being there...andrea olsen on A Change in the Wind
beautifully written. appreciation for close viewing! AOTugboat on All American
How can it be All American when they take lots of NEA money paid by the entire American tax payers...