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East to West to East

(L to R) Nathan Makolandra, Morgan Lugo, and (aloft) Charlie Hodges in Benjamin Millepied's Moving Parts. Photo: Stephanie Berger

A choreographer who has just formed his own small company must be very, very brave to make Merce Cunningham’s 1964 Winterbranch the centerpiece of its debut program. Benjamin Millepied is certifiably brave. Starting a group in Los Angeles and naming it the L.A. Dance Project is already adventurous. I’m an Angeleno by birth, with the scent of eucalyptus and Pacific salt air embedded in my environmental DNA, and though the city’s cultural profile has soared in recent decades, I know that live performance isn’t a major component of what … [Read more...]

New York City Ballet: The New and the Refurbished

Tiler Peck floating over Tyler Angel in Two Hearts. Photo: Paul Kolnik

Have you noticed that many new ballets look like older ballets?  Either that, or they introduce kinks that take them far outside the classical vocabulary. The best ballet choreographers have a way of making steps that every advanced student dancer does many times a day look newly expressive, or interweave with the music in deeply satisfying ways. I can’t say that Peter Martins’s new work for the New York City Ballet’s spring season is refreshing in that way. Martins, as the company’s ballet master in chief, has responsibilities that … [Read more...]

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