
Since Laura Peterson began to show her choreography in New York around six years ago, she has become increasingly interested in transforming theater spaces through lighting, audience placement, and movement ideas. I’m thinking in particular of her 2007 I Love Dan Flavin, which I saw in the funky, cramped intimacy of the old Dixon Place, and Forever (2009), which utilized the columns and mirrored wall of Dance New Amsterdam. Between November 4 and 12, her new Wooden transformed HERE in more ambitious ways. And though, like all Peterson’s … [Read more...]






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