Good questions

What an interesting question Phil Nugent poses: Why does President Bush keep saying, 'We don't torture'?

Despite the obvious reasons -- his future legal defense -- it's an odd statement because it's not like Nixon denying he was a crook or Clinton denying he'd had sex with that woman. Those were fig leafs for their supporters, escape hatches for the people who still wished to believe they'd elected someone who wouldn't lie or cheat.

But being the tough guy, being more than willing to kick those asses that supposedly need kicking -- that's President Bush's basic appeal to his diehard supporters. So why does he keep denying what is obvious to everyone else, what is clearly happening under his orders and what is plainly the reason many people admire someone like him -- or someone like Rudy Giuliani? What's with all the wish-fulfillment macho posturing and then the grudging lurches toward decent appearances?

Mr. Nugent has an answer, and yes, it ain't pretty. It also helps explain the president's peculiar position these days: "The sad thing about Bush Junior's attempt to have it both ways is that it so completely dynamites his dirty-realist-bastard image, it leaves him with blood on his hands but with none of the glamour that's supposed to go with it."

On the other hand, it's easy enough to see Bush as a lame dick/duck. But you'll notice we're still pretty much playing to his rules on just about everything: the war, the environment, health care, domestic eavesdropping, control of presidential archives, gutting government oversight, homeland security and disaster management, etc.

When President Clinton was apparently mortally wounded, the Republican Congress prevented him from appointing anyone and forced him to accept such things as welfare reform. What have the last election and a Democratic Congress accomplished?

The departure of Donald Rumsfeld and an increase in the minimum wage.

October 11, 2007 5:49 PM | | Comments (0)

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Recommending

Books I'm currently recommending . . . 

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Richard Price's best novel since Clockers, Lush Life is a slice of life on the Lower East Side, complete with the ghetto kids, the new bohemians, the old Jews and the cops. A restaurant manager at 35 fears he's no longer the wannabe artiste who'd turn into a full-blown artiste some day. When he sees a younger version of himself get shot during a mugging (and then gets blamed by the cops), he comes apart. Price takes these cultures and stares through all of them. Lush Life is a crime novel, a terrific literary thriller, a sampler of Price's namebrand talents with dialogue and deadpan humor. Price is after more than just law-and-order, crime-and-punishment, justice-is-served. This is a portrait of big-city America..You think The Wire, Law and Order, the old Homicide are the best TV has to offer? This is all that -- between covers.

In Life Class, Booker Prize-winner Pat Barker returns to World War I, the setting for her magnificent Restoration trilogy. Where those novels followed shell-shocked poets Siegfried Sassoon and Wilfrid Owen through their convalescence, Life Class follows three painting students (based on real Slade School artists Christopher Nevinson and Paul Nash) as the war approaches. Elinor wants little to do with the war or with men: They're distractions from her art. Kit, a hot, young futurist, is primed for the war's industrialized destruction, while Paul flees his working-class background. As usual with Barker, the sexual relationships, war-time atmosphere and gruesome battlefield details are brilliantly conveyed: Her prose is lean but lyrical, compassionate yet cool-headed. No character is quite as compelling as Regeneration's bitter bisexual, Billy Prior, but the Great War's upheavals in art and combat, sex and class, provide Barker with material for exceptional historical novels. A new trilogy? One hopes so.

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Best of the Vault

THE REVIEWS: 

Pat Barker, Frankenstein, Cass Sunstein on the internet, Samuel Johnson, Thrillers, Denis Johnson, Alan Furst, Caryl Phillips, Richard Flanagan, George Saunders, Michael Harvey, Larry McMurtry, Harry Potter and more ...

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Big D between the sheets -- Dallas in fiction

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Reviewing the state of reviewing

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9/11 as a novel: Why?

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How can critics say the things they do? And why does anyone pay attention? It's the issue of authority.

The disappearing book pages:  

Papers are cutting book coverage for little reason

Thrillers and Lists:  

Noir favorites, who makes the cut and why

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This page contains a single entry by book/daddy published on October 11, 2007 5:49 PM.

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