Recently by Kiff Gallagher

A friend and I were mixing a bass track. I was leaning back in the chair with my eyes closed, "it needs to be rounder, fatter but not too heavy, yada, yada."  He said, "ya know, talking about music is like dancing about architecture."  We both laughed...and I thought about the transcendent nature of art. If art fit neatly into standard English (French, Cantonese, whatever), what would be the point of it?

But as folks point out, the world of politics, policy and gov't funding is language driven. And we cannot avoid the catch-22 of trying to sell arts education without ever being able to really capture and sound-bite the public value and purpose of art. Tempting concepts like creativity and imagination may be equally difficult to pin down, as Sam says, and may or may not be the memes we need to close the deal.


On language and issue-framing, I'd like to excavate an earlier comment from Richard K. He said, "More and more, I've been thinking about how we can tie arts education to the fundamental well being of our children and their development as human beings. What about arts education as a children's health issue, leapfrogging over the lexicon of the arts industry, that serves as a common language for the industry, but fails to resonate with those in the center of education."

Good call, Richard. In promoting a new "arts" program that will probably depend on taxpayer dollars to achieve scale, I spend remarkably little time talking about "the arts." It's always music and arts as a strategy -- to promote student achievement, health and wellness, civic engagement, intercultural understanding, etc. The government spends a lot of money on these problems and we have the data to show that the arts can make a difference.

I'm not an arts educator, but I do care deeply about creating a world where everybody has the opportunity to live up to his or her potential. And I know that music and the arts have a far greater role to play in society than just entertainment. People's eyes almost never glaze over when i talk about Musician/Artist Corps as a civic strategy.

As a public policy issue, "The Arts" may be following the path of National Service (AmeriCorps, etc.) itself; which, for years tried on different arguments ("service is important," "service is hip and cool," "service is the right thing to do"). And after hearing from congress, one too many times, "service is cute and nice but not fully fundable in tight times," folks started talking about service as an effective way to address pressing challenges in education, health, the environment and public safety. 

The service movement is juiced and, for the first time, national service is sitting at the adult table with hardcore policy makers. More importantly, landmark, bi-partisan legislation, tripling the size of AmeriCorps and doubling the size of the Peace Corps (among other things), will be on President Obama's desk within a year. 

(By the way, anyone want some of that?) 


December 3, 2008 2:20 PM | | Comments (0) |
Thanks Arts Journal for the invitation to participate in the virtual dialogue; sorry I'm a little late to the party. The Music National Service Initiative (MNSi) is in the process of designing an Artist Corps program (called "MusicianCorps," launch Aug '09) that will leverage the talent and energy of performing musicians to expand access to music education...or maybe that should be "music experience" or "music engagement." 

I'm struck by the number of voices on the "content vs engagement in arts education" theme. Anti-traditionalists and engagement advocates seem to have all the votes. Bau Graves finds typical arts ed content to be culturally myopic and therefore irrelevant, while Jack Lew sees a problematic generational gap in arts classrooms. Eric Booth is always compelling with his "verbs over nouns" argument for arts education and Susan Sclafani seems to agree when she says "we need to look at what interests students and build upon that." 

Are there any dissenting voices in the choir? Does anyone think it's more important to "educate" a youngster in the European cannon than it is to engage her passion for garageband, hip-hop or Taiko drumming (as long as she's building the core skills of musical literacy)? Can a Musician/Artist Corps contribute to current efforts in the field to reach more kids where they are today while helping them develop relevant skills (and joy) through art for a lifetime? 

What say ye?

December 1, 2008 8:37 PM | | Comments (2) |

About

This Conversation For decades, as teaching of the arts has been cut back in our public schools, alarms have been raised about the dire consequences for American culture. Artists and arts organizations stepped in to try to... more

Our Bloggers

Sam Hope, executive director, The National Office for Arts Accreditation (NOAA);
Jack Lew, Global University Relations Manager for Art Talent at EA;
Laura Zakaras, RAND;
James Cuno, Director, Art Institute of Chicago;
Richard Kessler, Executive Director, Center for Arts Education;
Eric Booth, Actor;
Midori, Violinist;
Bau Graves, Executive director, Old Town School of Folk Music;
Kiff Gallagher, Founder & CEO of the Music National Service Initiative and MusicianCorps
Bennett Reimer, Founder of the Center for the Study of Education and the Musical Experience, author of A Philosophy of Music Education;
Edward Pauly, the director of research and evaluation at the Wallace Foundation;
Moy Eng, Program Director of the Performing Arts Program at The William and Flora Hewlett Foundation;
John Rockwell, critic;
Susan Sclafani, Managing Director, Chartwell Education Group;
Jane Remer, Author, Educator, Researcher
Michael Hinojosa, General Superintendent, Dallas Independent School District 
Peter Sellars, director

more

Contact us Click here to send us an email... more

Peter Sellars on Creativity & the Voice more

Archives: 54 entries and counting

Resources

Blog Sponsor

logo_wallace.gif

Recent Comments

Bob Morrison commented on Glazing Over and Moving On: Not to get all "left field" on you... but there are strategies that have wo...

JANE REMER commented on What about the community?: Bau, the answer probably lies in the fact that we are considering a specifi...

Richard Kessler commented on Arts education as a community for action?: I think there are some clear trends emerging from the field, some of it is ...

Lindsay Price commented on Arts education as a community for action?: Great post. You're so right that 'should' is great on the page and in the s...

Lindsay Price commented on What is Arts Education for--a blog post by Rudy Crew: Interesting. I've never seen arts education as a means to create artists, i...

Lindsay Price commented on The Economics Angle: Add to that the fact that there a glut of students in post doc work right n...

Joyce E Bush commented on What Schools Are For: Thank you Jane for coming to our school today – PS 193Q. Along with the pa...

Ana Luisa Cardona commented on The Persistent Idea that Change Can Occur in Schools Without Engaging the Educators in the Process: Maybe we slice the school time pie the wrong way. In the traditional subje...

Bob Morrison commented on Demography is not Destiny: Hi Rob, One point of I would like to make is that in all the states where ...

Notebook commented on This Conversation: Some notes for a perspective on Art Education....