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For What It's Worth

Michael Rushton on pricing the arts

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Archives for 2015

New research from the NEA

January 13, 2015 by Michael Rushton 2 Comments

what are the data telling us?

New research on arts participation and economics has been released by the National Endowment for the Arts. I won't try to summarize everything there, just a few comments: Two of the reports are on participation: one asks about who participates in what, the other asks people about why they participated. The data will be interesting for researchers willing to dig: what relationships are buried in those survey numbers beyond what is on the surface? I see each of these reports as a spark to future studies. For example, although the … [Read more...]

Enjoying the benefits of old money

January 2, 2015 by Michael Rushton 2 Comments

nice orchestra you have there

I don't disagree with the assessment by Alec MacGillis at Slate that that rust-belt cities offer fine high culture opportunities at low prices: riches from the turn of the last century provided capital (physical, human, institutional) that created great organizations, that can, at least for the time being, survive on endowment funds and relatively low amounts of 'earned income'. But my reaction is somewhat similar to the one I had reading Christopher Knight's recent piece arguing that museums ought to be 'free' - i.e. that the heavy costs of … [Read more...]

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Michael Rushton

Michael Rushton taught in the Arts Administration programs at Indiana University, and lives in Bloomington. An economist by training, he has published widely on such topics as public funding of the … MORE

About For What It’s Worth

What’s the price? Everything has one; admission, subscriptions, memberships, special exhibitions, box seats, refreshments, souvenirs, and on and on – a full menu. What the price is matters. Generally, nonprofit arts organizations in the US receive about half of their revenue as “earned income,” and … [Read More...]

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Recent Comments

  • Brian Newhouse on Gut Punch: “That too. Politics in art isn’t a matter of having the right position on an issue, but the matter of…” Jun 10, 02:19
  • Michael Rushton on Gut Punch: “I agree. There can be interesting art about politics, but, if I recall correctly as said by Tom Stoppard, the…” Jun 9, 11:27
  • Brian Newhouse on Gut Punch: “Naveen Kumar has a very narrow view of what “big questions” are.; but that’s par for the course these days.…” Jun 9, 10:15
  • Michael Rushton on Reckoning with Pierre Bourdieu and Cultural Policy: “Hello Brian, I’m not sure how much I qualify as an intellectual, but this liberal conservative will make the affirmation…” May 25, 15:52
  • Brian Newhouse on Reckoning with Pierre Bourdieu and Cultural Policy: “It seems to me that in order to counter Bourdieu’s arguments, especially as they might apply to government arts policy…” May 25, 15:06
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