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For What It's Worth

Michael Rushton on pricing the arts

Public support for the arts and the letter of the law

April 28, 2014 by Michael Rushton 1 Comment

dedicationI was recently interviewed by Nancy Fowler of St. Louis Public radio on the recent controversies surrounding the ethics policies of the Zoo-Museum District. I won’t repeat the whole story here, which is best covered in Ms Fowler’s piece. This is a more general observation:

Public and nonprofit arts organizations rely on public support. For public agencies, that comes in terms of voter support for earmarked tax funding programs, or through the budget allocations of local, state and federal government. Nonprofits rely on public support directly through donations and sales, and indirectly through the public policies that provide support to nonprofits, like direct grants, and the tax exemptions and credits that benefit nonprofits.

To maintain public support, it is never enough for an organization in a controversy to be able to say “but we followed to the letter our organization’s official procedures and policies.” Having followed procedures is enough to get through a legal or administrative tussle, but true public support requires something more – that the public clearly sees that the agency’s principals acted transparently and responsibly in the public interest. Without that, public support for the arts erodes, and the organization’s official ethics and procedures documents won’t save it.

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  1. ArtsJournal – Top Posts From AJBlogs 04.28.14 says:
    April 28, 2014 at 10:37 pm

    […] Arts | Published 2014-04-29 Silence or Violence AJBlog: We The Audience | Published 2014-04-29 Public support for the arts and the letter of the law AJBlog: For What it’s Worth | Published 2014-04-28 Which circle do you serve? AJBlog: The […]

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Michael Rushton

Michael Rushton taught in the Arts Administration programs at Indiana University, and lives in Bloomington. An economist by training, he has published widely on such topics as public funding of the … MORE

About For What It’s Worth

What’s the price? Everything has one; admission, subscriptions, memberships, special exhibitions, box seats, refreshments, souvenirs, and on and on – a full menu. What the price is matters. Generally, nonprofit arts organizations in the US receive about half of their revenue as “earned income,” and … [Read More...]

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Recent Comments

  • antonio c. cuyler on Equality, the arts, and the problem of expensive tastes: “I applaud your courage in dissenting, Michael, even if it may place you at odds with the sector. I also…” Feb 2, 10:57
  • Michael Rushton on Equality, the arts, and the problem of expensive tastes: “Thank you David. In terms of costs, the quick, and I think too-easy answer, is cost-disease, which affects any sector,…” Feb 1, 15:04
  • David E. Myers on Equality, the arts, and the problem of expensive tastes: “Hi Michael, Always grateful for your perspectives, though as you know, I do not always agree. At the risk of…” Feb 1, 11:16
  • Michael Rushton on Equality, the arts, and the problem of expensive tastes: “Thank you, antonio. There’s a lot here – I’ll answer bit by bit… 1. I’m not sure the “equality vs…” Jan 29, 09:43
  • antonio c. cuyler on Equality, the arts, and the problem of expensive tastes: “As economists educated to believe that “some inequality” is not bad, I appreciate reading how you and Robert Reich think…” Jan 29, 09:21
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