“As admirers of Horowitz’s musicianship and resilience, we must face these realities remembering that, in the end, he loaded his baggage onto his back and jogged across the finish line, smiling from ear to ear. Today, the weight of Horowitz’s baggage serves mainly to accentuate the magnitude of his ultimate triumph.” Thus Bernard Horowitz on Vladimir Horowitz. These two are … [Read more...] about What Happened Between Vladimir Horowitz and George Szell?
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Busoni, Kandinsky, Schoenberg — Instinct at the Cusp
It’s a truism that, as aesthetic movements go, the visual arts get there first. Think of Impressionism, which didn’t begin to inflect music until Debussy and Ravel – decades after Monet. Expressionism is another matter: the synchrony is amazing. I am thinking of 1910: the year of Wassily Kandinsky’s first non-representational painting. Non-tonal music was simultaneously … [Read more...] about Busoni, Kandinsky, Schoenberg — Instinct at the Cusp
Harry Burleigh and Cultural Appropriation – Take Two
The annals of the Harlem Renaissance include heated debate over the practice of turning African-American spirituals into concert songs. Zora Neale Hurston Hurston heard concert spirituals “squeezing all of the rich black juice out of the songs,” a “flight from blackness,” a “musical octoroon.” She listed Harry Burleigh among the offenders. But without Burleigh … [Read more...] about Harry Burleigh and Cultural Appropriation – Take Two
“Heedlessly Controversial” — Remembering Oscar Levant
Reviewing Sony Classical’s invaluable new Oscar Levant tribute in the current “Los Angeles Review of Books,” I write: “That Levant was what he seemed was doubtless a key to his appeal. His authenticity has never appeared more exceptional: no present-day mainstream media personality – not even our President -- is as heedlessly controversial as was Levant every time he opened his … [Read more...] about “Heedlessly Controversial” — Remembering Oscar Levant
A Vital New Book about Music and Race
Dale Cockrell's "Everybody's Doin' It: Sex, Music, and Dance in in New York 1840-1917" is a book that will bring to wider attention the scholarship of one of America's most original music historians -- someone whose work fearlessly challenges conventional wisdom. It was my pleasure to review this new Norton release in this weekend's "Wall Street Journal": On his first trip … [Read more...] about A Vital New Book about Music and Race