Reviewing the new book The Leonard Bernstein Letters in last Saturday’s Wall Street Journal, I write: In June 2011, the estate of Leonard Bernstein donated to the Library of Congress 1,800 letters that had been sealed at his death. As the library’s Bernstein Collection already included more than 15,000 letters, postcards and telegrams, the resulting amalgamation obviously … [Read more...] about Leonard Bernstein’s Letters
“I’m a Didactic Writer”
Last Fall, I was interviewed for a full hour by Chris Johnson of Houston Public Radio and invited to comment not only on my book Moral Fire, but more broadly on the state of culture in today’s America. Chris suggested that my book, though situated in the late Gilded Age, was “chockfull of lessons – but that might not be the word you would use.” Oh yes it is, I replied … [Read more...] about “I’m a Didactic Writer”
How Did “Porgy and Bess” Originate?
“Where did the big set pieces of Porgy and Bess originate? With Rouben Mamoulian, it seems,” writes Steven Suskin in his copious Playbill.com review of my new book “On My Way” – The Untold Story of Rouben Mamoulian, George Gershwin, and “Porgy and Bess.” Well, thank you, Mr. Suskin. As a book has no fixed meaning, it’s often informative (and sometimes not) to discover how … [Read more...] about How Did “Porgy and Bess” Originate?
“Bring My Goat!” — Who Wrote the Ending of Porgy and Bess?
"Bring my goat!" Porgy exclaims in the final scene of Gershwin’s opera Porgy and Bess. Bess has left for New York City and he’s determined to find her. When his request is met with astonishment -- New York is a great distance from Catfish Row -- Porgy remains undaunted. He mounts his goat-cart and leads the community in an ecstatic finale, "Oh Lawd, I’m on my way." Stephen … [Read more...] about “Bring My Goat!” — Who Wrote the Ending of Porgy and Bess?
The Great American Symphony
Tom Huizenga, who presides over Classical Music for National Public Radio, recently initiated a discussion thread on “The Great American Symphony” – and invited me to contribute something about early lineage. Keying on a superb new Naxos recording of John Knowles Paine’s Symphony No. 1, on my idiosyncratic enthusiasm for Dvorak and Chadwick as quintessential “American” … [Read more...] about The Great American Symphony