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rock culture approximately

Regulators! Let’s Dance!

September 30, 2016 by Tim Riley

Master & Dynamic
Master & Dynamic

Comfort cans that deliver mucho fidelity, warm, spacious tones, and a wicked commitment to badass designery. Mic moves closer to your face than regular cables. Optional input on EACH EAR. MUTE button on Right can. Detachable ear foam pads. Also: boom mic stands, EXTRA cables included, and earpads for sale all in one handy site. The kind of thoughtfulness that makes you wonder: isn’t this just how headphones were meant to be? They also make earphones.

Yuja Wang

If you get Janet Malcolm to profile Yuja Wang, complete with glossy photos, why not like to her playlists? The best quotes concern her admiration for the late Claudio Abbado:

“…Claudio is like intense listening. It makes you feel so scrutinizingly uncomfortable. And that place of uncomfortableness is exactly where you want to be every time you are onstage…”

Rudy Van Gelder 1924-2016

From a 1995 interview with Stephen Cerra. Gelder, that rare techie who sounds like a musician:

What are your feelings on digital versus analog?
The linear storage of digital information is idealized. It can be perfect. It can never be perfect in analog because you cannot repro­duce the varying voltages through the dif­ferent translations from one medium to an­other. You go from sound to a microphone to a stylus cutting a groove. Then you have to play that back from another stylus wig­gling in a groove, and then translate it back to voltage.

The biggest distorter is the LP it­self. I’ve made thousands of LP masters. I used to make 17 a day, with two lathes go­ing simultaneously, and I’m glad to see the LP go. As far as I’m concerned, good rid­dance. It was a constant battle to try to make that music sound the way it should. It was never any good. And if people don’t like what they hear in digital, they should blame the engineer who did it. Blame the mastering house. Blame the mixing engi­neer. That’s why some digital recordings sound terrible, and I’m not denying that they do, but don’t blame the medium.

Finally, I can shut down phonies who insist vinyl “sounds better.” I’ve got plenty of CDs that sound warm, cushiony, “broken in,” spacious, roomy, and downright earthy, and I started hearing a BIG different in the late 1990s when the remasters began hitting. Who listens to mp3s anymore? Only unsuspecting rubes, certainly not anybody with cans. And even so: wouldn’t you want to see Shakespeare on a fuzzy TV if you couldn’t attend the theatre? See also Richard Brody’s obituary in The New Yorker.

BOOKS LEFT OFF THIS SEMI-RESPECTABLE BILLBOARD LIST 

(in no particular order…)
Dance With the Devil, Stanley Booth
Magic Circles, Devin McKinney
Buddy Holly, and One-Hit Wonders, Dave Laing
Woody Guthrie: A Life, Joe Klein
Stompin the Blues, Albert Murray
McCartney: A Life, Chris Salewicz
Lennon Remembers, John Lennon
Song and Dance Man, Michael Gray
Rock and Roll: An Unruly History, Robert Palmer
1966, Jon Savage
Aesthetics of Rock, Richard Meltzer
White Bicycles, Joe Boyd
Always Magic in the Air, Ken Emerson
Heart of Rock and Soul, Dave Marsh

BONUS CARTOON

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Tim Riley

NPR critic, Author, Emerson College Journalist and Campus Speaker Tim Riley contributes to HERE AND NOW out of WBUR Boston. Read More…

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