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Archives for 2008

Is Death Necessary?

February 6, 2008 by Tim Riley

"We're all Jesus and we're all Hitler," John Lennon Any links between this, this and this? … [Read more...]

Wire Fraud

February 1, 2008 by Tim Riley

Are there any other journalists out there offended by the oppressive praise smothering the final season of The Wire, especially with this season's bizarrely fatuous depiction of a Baltimore Sun newsroom? In the opening episode we were insulted by a grammar lesson on the use of the term "evacuate," … [Read more...]

QUOTES FOR INDUSTRY!

January 28, 2008 by Tim Riley

War profiteers stole two elections and screwed Iraq's pooch, but at least string theory's on track to explain physical reality... … [Read more...]

BLURB WATCH

January 16, 2008 by Tim Riley

"In the film [Lust, Caution] moderately scrutable orientals play inscrutable orientals pretending to be inscrutable orientals..."--Michael Wood in the London Review of Books … [Read more...]

more Philip Roth on music…

January 11, 2008 by Tim Riley

[it's been THAT KIND of week...] from The Human Stain, by Philip Roth 312-13 [Adagio from Third Symphony to close Coleman Silk's funeral...] That was it. They pulled out all the stops. They played Mahler. Well, you can't listen to Mahler sometimes. When he picks you up to shake you, he doesn't stop. … [Read more...]

Philip Roth on Yefim Bronfman

January 7, 2008 by Tim Riley

from The Human Stain, by Philip Roth pp. 209-210 Then Bronfman appears. Bronfman the brontosaur! Mr. Fortissimo! Enter Bronfman to play Prokofiev at such a pace and with such bravado as to knock my morbidity clear out of the ring. He is conscpiuously massive through the upper torso, a force of … [Read more...]

Levon Helm

January 4, 2008 by Tim Riley

My review of Levon Helm's Dirt Farmer aired this week on NPR's Here and Now. … [Read more...]

PIANIST’S PIANISTS

January 1, 2008 by Tim Riley

Part 3 (part one, two) EP: Do I get paid for these gems? If so, I charge by the word!!! TR: You sound like a writer. EP: In my estimation Horowitz recorded better due to his being a more sound oriented pianist. Also his virtuosity was more electrifying than Serkin's. I heard Horowitz live only … [Read more...]

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Tim Riley

NPR critic, Author, Emerson College Journalist and Campus Speaker Tim Riley contributes to HERE AND NOW out of WBUR Boston. Read More…

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