If you are planning your weekend activities, you may wish to work in these presentations by two leading champions of jazz on the air (and the web).
On his Sunday broadcast of Jazz Northwest this week, Jim Wilke will feature a musician who achieved recognition and critical acclaim in his days on the national scene, then moved back to the Northwest to concentrate on music education. Jon Pugh, the trumpeter in tenor saxophonist Don Lanphere’s quintet three decades ago, is still making music in the Seattle area. Here’s part of Mr. Wilke’s announcement
Jonathan Pugh grew up in Wenatchee and his first musical memories include standing by his Dad as he led the band at his Summer youth circus. Later, he connected with Don Lanphere in Wenatchee and studied with him during his teen years. It was mutual inspiration as Jonathan became a regular member of the Lanphere Quintet, touring and recording eight albums with the sax legend during his resurgent career.
Jonathan started on trumpet, but today focuses on the mellower cornet. He presently teaches in the Edmonds Schools. Joining him in this Art of Jazz concert from the Seattle Art Museum are Dave Peterson on guitar, Jon Hamar on bass and Max Wood on drums, all notable for their tone and swing. Jazz Northwest airs on Sundays at 2 PM PST and is streamed at kplu.org.
Here’s Pugh with Lanphere (1928-2003) at the Bellevue Jazz Festival near Seattle three decades ago, and Marc Seales, piano; Chuck Deardorf, bass; and Dean Hodges, drums. I sent him a message asking the name of the tune in the video. He replied:
…pretty sure this is one that never got recorded or named………….Don would write amazing bebop lines based on chord changes from different record albums………….he might have just called it “black 1-1” (black album cover, side 1, track 1).
In New York, saxophonist-composer-arranger-bandleader-educator-broadcaster (whew) Bill Kirchner is preparing his Sunday Jazz From the Archives about a clarinetist who was, to borrow Duke Ellington’s famous phrase, beyond category. Here is Bill’s promo blurb:
Clarinetist Pee Wee Russell (1906-1969) spent much of his career playing in Dixieland-style settings. But his highly unorthodox playing defied categorization, and in the 1960s he recorded a series of albums for the Impulse label that showed him at his most unique. Among other things, he performed compositions by Ornette Coleman, John Coltrane, Thelonious Monk and Oliver Nelson.
We’ll hear Pee Wee in a quartet with valve trombonist Marshall Brown, bassist Russell George, and drummer Ronnie Bedford; a reunion concert with an old friend, trumpeter Henry “Red” Allen, and a rhythm section of pianist Steve Kuhn, bassist Charlie Haden, and drummer Marty Morell; and a big band arranged and conducted by Oliver Nelson.
Kirchner’s Jazz From the Archives airs Sunday at 11 pm EST on WGBO-FM at 88.3 on radios in the Newark/New York area. The program will also be streamed on the web at http://www.wbgo.org/.
“Unorthodox,” Bill wrote above in describing Russell’s playing. Oh, yes. With his phrasing, dynamics, tonal manipulation, slurs, slips, slides, silences and surprises, Pee Wee was avant garde decades before the appearance of Ornette Coleman, Anthony Braxton or John Carter. Here he is, playing a B-flat blues in a club performance the year before he died. Jimmy McPartland is the trumpeter, with Art Hodes, piano, Rail Wilson, bass, and Harry Hawthorn, drums.