• Home
  • About
    • Doug Ramsey
    • Rifftides
    • Contact
  • Purchase Doug’s Books
    • Poodie James
    • Take Five: The Public and Private Lives of Paul Desmond
    • Jazz Matters
    • Other Works
  • AJBlogs
  • ArtsJournal
  • rss

Rifftides

Doug Ramsey on Jazz and other matters...

Elder Lee: Konitz At 82

August 4, 2010 by Doug Ramsey

The alto saxophonist Lee Konitz’s inventiveness and boldness have seldom flagged. As his recent recordings demonstrate, he continues to embrace adventure and risk. If his repertoire is stocked with pieces that he revisits time and again—”All the Things You Are,” “I’ll Remember April,” “Body and Soul,” “Just Friends”—Konitz is the epitome Konitz NPR.jpgof the jazz soloist who tries never to play anything the same way twice, never coasts on clichés, even his own.
As a listener who has been captivated by Konitz since first hearing his 1949 recordings with Lennie Tristano, I never fail to find him at least interesting. Often, he transmits a sense of challenge and discovery remarkable for an improvising musician in his ninth decade. I may wish that Konitz had retained the skipping lightness and whimsy that characterized his work in the 1950s and well into the ’60s. It may not be realistic, however, to think that as an artist deepened his tone and his intellect, youthful spirits would continue to dominate his work.
There is no better example from the latter part of that “early” period than Konitz’s 1961 Motion album with bassist Sonny Dallas and drummer Elvin Jones, and few better examples from the ’50s, at least on video, than this 1954 performance of “Subconscious-Lee” with his Tristano bandmate Warne Marsh. The rhythm section is pianist Billy Taylor, guitarist Mundell Lowe, bassist Eddie Safranski and drummer Ed Thigpen.

Tom Vitale of National Public Radio put together a report about Konitz that summarizes his career and his present approach. It includes comments from Konitz and bits of his current work. To hear the story, go here and click on “Listen Now.” At the end of the text are links to previous NPR pieces about Konitz.

Related

Filed Under: Main

Comments

  1. Gary Foster says

    August 4, 2010 at 9:13 am

    Thanks for your piece on Lee Konitz today. His has been a life of musical integrity. Rifftides readers would enjoy:
    Hamilton, Andy. Lee Konitz. Conversations on the Improviser’s Art. Ann Arbor: University of Michigan Press, 2007.
    (Mr. Foster’s accomplishments as an alto saxophonist include the album Make Your Own Fun, a modern classic:
    http://www.amazon.com/Make-Your-Own-Gary-Foster/dp/B0000006JP
    ——DR)

  2. Bob Godrey says

    August 4, 2010 at 8:53 pm

    I loved Lee Konitz’s stint with the Kenton band in the 50’s….the “Standards” albums and the Bill Holman things. Some years later , in an interview, Konitz was asked how he happened to join Kenton’s band. Konitz replied,” I had some bills to pay”.

  3. Mel says

    August 4, 2010 at 9:38 pm

    Lee’s solo on “Rouge”, one of the the great Miles Davis nonet sides, recorded in 1949, has been an earworm for decades.

  4. Bruce Armstrong says

    August 5, 2010 at 2:55 pm

    Thanks for posting this. Two saxophone giants–master improvisers–making the very difficult sound easy. Their playing on this clip takes me back to when I was in high school and first heard the historic recordings they made with Lennie Tristano (“Wow”) and was in awe. In college I bought the classic “Lee Konitz With Warne Marsh” album on Atlantic which included staples of their repertoire like “Background Music” and “Topsy” and solidified their place in jazz history. I continue to learn from them
    over 50 years later.

  5. Sonic Producer says

    August 11, 2010 at 3:50 am

    Thanks for posting this. Two saxophone giants–master improvisers–they can do anything with music…

Doug Ramsey

Doug is a recipient of the lifetime achievement award of the Jazz Journalists Association. He lives in the Pacific Northwest, where he settled following a career in print and broadcast journalism in cities including New York, New Orleans, San Francisco, Los Angeles, Seattle, Portland, San Antonio, Cleveland and Washington, DC. His writing about jazz has paralleled his life in journalism... [Read More]

Rifftides

A winner of the Blog Of The Year award of the international Jazz Journalists Association. Rifftides is founded on Doug's conviction that musicians and listeners who embrace and understand jazz have interests that run deep, wide and beyond jazz. Music is its principal concern, but the blog reaches past... Read More...

Subscribe to RiffTides by Email

Enter your email address to subscribe to this blog and receive notifications of new posts by email.

Doug’s Books

Doug's most recent book is a novel, Poodie James. Previously, he published Take Five: The Public and Private Lives of Paul Desmond. He is also the author of Jazz Matters: Reflections on the Music and Some of its Makers. He contributed to The Oxford Companion To Jazz and co-edited Journalism Ethics: Why Change? He is at work on another novel in which, as in Poodie James, music is incidental.

Archives

Recent Comments

  • Rob D on We’re Back: Pianist Denny Zeitlin’s New Trio Album for Sunnyside
  • W. Royal Stokes on We’re Back: Pianist Denny Zeitlin’s New Trio Album for Sunnyside
  • Larry on We’re Back: Pianist Denny Zeitlin’s New Trio Album for Sunnyside
  • Lucille Dolab on We’re Back: Pianist Denny Zeitlin’s New Trio Album for Sunnyside
  • Donna Birchard on We’re Back: Pianist Denny Zeitlin’s New Trio Album for Sunnyside

Doug’s Picks

We’re Back: Pianist Denny Zeitlin’s New Trio Album for Sunnyside

As Rifftides readers have undoubtedly noticed, it has been a long time since we posted. We are creating a new post in hopes  that it will open the way to resumption of frequent reports as part of the artsjournal.com mission to keep you up to date on jazz and other matters. Pianist Denny Zeitlin’s stunning new trio album […]

Recent Listening: The New David Friesen Trio CD

David Friesen Circle 3 Trio: Interaction (Origin) Among the dozens of recent releases that deserve serious attention, a few will get it. Among those those receiving it here is bassist David Friesen’s new album.  From the Portland, Oregon, sinecure in which he thrives when he’s not touring the world, bassist Friesen has been performing at […]

Monday Recommendation: Dominic Miller

Dominic Miller Absinthe (ECM) Guitarist and composer Miller delivers power and subtlety in equal measure. Abetted by producer Manfred Eicher’s canny guidance and ECM’s flawless sound and studio presence, Miller draws on inspiration from painters of France’s impressionist period. His liner essay emphasizes the importance to his musical conception of works by Cezanne, Renoir, Lautrec, […]

Recent Listening: Dave Young And Friends

Dave Young, Lotus Blossom (Modica Music) Young, the bassist praised by Oscar Peterson for his “harmonic simpatico and unerring sense of time” when he was a member of Peterson’s trio, leads seven gifted fellow Canadians. His beautifully recorded bass is the underpinning of a relaxed session in which his swing is a force even during […]

Recent Listening: Jazz Is Of The World

Paolo Fresu, Richard Galliano, Jan Lundgren, Mare Nostrum III (ACT) This third outing by Mare Nostrum continues the international trio’s close collaboration in a series of albums that has enjoyed considerable success. With three exceptions, the compositions in this installment are by the members of Mare Nostrum. It opens with one the French accordionist Galliano […]

Monday Recommendation: Thelonious Monk’s Works In Full

Kimbrough, Robinson, Reid, Drummond: Monk’s Dreams(Sunnyside) The subtitle of this invaluable 6-CD set is The Complete Compositions Of Thelonious Sphere Monk. By complete, Sunnyside means that the box contains six CDs with 70 tunes that Monk wrote beginning in the early years when his music was generally assumed to be an eccentric offshoot of bebop, […]

More Doug's Picks

Blogroll

All About Jazz
JerryJazzMusician
Carol Sloane: SloaneView
Jazz Beyond Jazz: Howard Mandel
The Gig: Nate Chinen
Wonderful World of Louis Armstrong
Don Heckman: The International Review Of Music
Ted Panken: Today is The Question
George Colligan: jazztruth
Brilliant Corners
Jazz Music Blog: Tom Reney
Brubeck Institute
Darcy James Argue
Jazz Profiles: Steve Cerra
Notes On Jazz: Ralph Miriello
Bob Porter: Jazz Etc.
be.jazz
Marc Myers: Jazz Wax
Night Lights
Jason Crane:The Jazz Session
JazzCorner
I Witness
ArtistShare
Jazzportraits
John Robert Brown
Night After Night
Do The Math/The Bad Plus
Prague Jazz
Russian Jazz
Jazz Quotes
Jazz History Online
Lubricity

Personal Jazz Sites
Chris Albertson: Stomp Off
Armin Buettner: Crownpropeller’s Blog
Cyber Jazz Today, John Birchard
Dick Carr’s Big Bands, Ballads & Blues
Donald Clarke’s Music Box
Noal Cohen’s Jazz History
Bill Crow
Easy Does It: Fernando Ortiz de Urbana
Bill Evans Web Pages
Dave Frishberg
Ronan Guilfoyle: Mostly Music
Bill Kirchner
Mike Longo
Jan Lundgren (Friends of)
Willard Jenkins/The Independent Ear
Ken Joslin: Jazz Paintings
Bruno Leicht
Earl MacDonald
Books and CDs: Bill Reed
Marvin Stamm

Tarik Townsend: It’s A Raggy Waltz
Steve Wallace: Jazz, Baseball, Life and Other Ephemera
Jim Wilke’s Jazz Northwest
Jessica Williams

Other Culture Blogs
Terry Teachout
DevraDoWrite
Alex Ross: The Rest Is Noise
On An Overgrown Path

Journalism
PressThink: Jay Rosen
Second Draft, Tim Porter
Poynter Online

Related

Return to top of page

an ArtsJournal blog

This blog published under a Creative Commons license

Copyright © 2023 · Magazine Pro Theme on Genesis Framework · WordPress · Log in