Thelonious Monk’s importance and influence keep growing. As they do, his value to the culture at large gains deeper recognition. A major university is honoring Monk in the most meaningful way, erecting a monument made of his music and other arts it influences.
Thirty-seven years ago, Monk appeared with his quartet at the Raleigh, North Carolina, nightclub called the Frog & Nightgown. His performances there were the only times that Monk played in his home state. He was born in Rocky Mount, NC, in 1917 and moved with his parents to New York City the next year. Tonight, the two surviving members of the1970 edition of Monk’s quartet are playing a concert at Duke University in Durham, near Raleigh, a major event of Following Monk, Duke’s six-weeks of programs honoring the pianist.
From the series brochure:
The most original musician in jazz history was born in a dirt-road town in the plains of eastern North Carolina, all cotton fields, railroad tracks, and tobacco warehouses. Following Monk retraces a jazz prophet’s links to his native state, returning home to pay respect to a talent that transcends place.
In a concert billed as “Thelonious Monk’s Homecoming: Raleigh’s Frog & Nightgown, 1970,” Tenor saxophonist Paul Jeffrey and drummer Leroy Williams will be joined by another Monk veteran, bassist John Ore. From the new generation affected by Monk, Jason Moran will be at the piano. They are recreating the Frog & Nightgown dates. Concertgoers will also hear a recording of the 1970 Monk engagement.
The series opened last Saturday with a concert by the Kronos Quartet, Monk admirers and interpreters since before their genre-busting Monk Suite CD in 1985. Subsequent events will feature modern dance; a theatrical production, Misterioso, inspired by Monk; lectures by critic Stanley Crouch and historian Robin D.G. Kelley; and concerts by Jason Moran, Johnny Griffin, Henry Butler, Charles Tolliver, Andy Bey, Kenny Barron, Randy Weston, Jessica Williams, Barry Harris, Charlie Haden with Hank Jones, and Jerry Gonzalez with his Rumba Para Monk.
For dates, times and further information about this Monk festival, see the Duke Performances web site. Any time is a good time to be in the Raleigh-Durham-Chapel Hill region of North Carolina. With this Monk fiesta, now is a perfect time.
While you’re in a Monk’s mood, I recommend Thelonious Monk Live at the 1964 Monterey Jazz Festival, one of a new series of previously unissued Monterey concerts. It’s the classic Monk quartet with saxophonist Charlie Rouse and drummerBen Riley. But in this case, bassist Steve Swallow was conscripted at the last minute from Art Farmer’s quartet. In those days, Swallow had not yet abandoned the upright acoustic bass. He knew the tunes, fit in seamlessly with the Monk band, added an element of pzazz and played a splendid solo on “Bright Mississippi.” The regulars are in good form, too. The quartet becomes an octet for “Think Of One” and “Straight No Chaser” with the addition of four horns and arrangements by Buddy Collette. Trumpeter Bobby Bryant has a solo on “Think Of One” that is at once deeply thoughtful, logical and full of excitement. This is a solid addition to the Monk discography.
All these Monk celebrations sounds great!!! I’m celebrating Monk in New York the month of October:
I’ll be performing a one-man play about Thelonious by Laurence Holder entitled MONK. The performances will be at two historically famous spots:
1- On Oct 5th.At Saint Peter’s Church , the jazz church where Monk’s and Nellie’s funeral’s were held.
2- At Minton’s Playhouse the jazz club, where Monk was the house pianist in the early forties. This performance will be on October 10th, Monk’s 90th birthday.
There will be a third performance on October 13th, of excerpts, in Brooklyn at a Jazz club called Sister’s Place .
Rome Neal
I reviewed the Monk Homecoming concert for a Website called http://www.cvnc.org. Check it out — my first story for them at:
http://www.cvnc.org/reviews/2007/092007/FollowingMonk.html.
My wife and I saw Monk at the Frog in 1970, as you can (I hope) tell from the story.
So glad to see your mention of “Following Monk.” Duke Performances has exceeded its own standards in putting together this amazing series. Not quite the same as hearing the music in the old Frog and Nightgown, but in Durham (by the way, Raleigh is near Durham, rather than vice-versa) we are happy to hear Paul Jeffery and friends play anywhere.
I cover dance for Classical Voice of North Carolina (on line at wwww.cvnc.org) and will be writing about the dance-makers Alonzo King and Robert Battle whose companies will perform as part of the series.
The latest issue of the Oxford American is their music issue with an enclosed cd and Monk on the cover. Sam Stephenson has an article on Monk in North Carolina that is described as follows:
“Successful jazz clubs in Raleigh, N.C., are something of a rarity, and even more so in 1970, when the tiny Frog and Nightgown booked this jazz titan. Monk was born in nearby Rocky Mount, and the gig was billed as homecoming. But he was ailing by then, and not a day before the gig, he still didn’t have a sax player. How did it turn out? And, come to think of it, how deep did Monk’s Southern roots run? ”